Citizens, by Kevin Curran, captures the voice of the young, disaffected in Ireland, some of whom choose to emigrate in the hope of a better life, and juxtaposes their story with one from a century before, when their forbears rose up to fight those who were running their country for personal gain. It is unsettling in its clarity. In the contemporary timeline the elderly look to the young to stay and defend what they consider was hard won by their parents, unable to recognise that their own motives are selfish; they wish to keep their family around them for company and control. The historical chapters illustrate that a revolution is not successful or complete until a new set of oppressors consolidate their power.
Neil is twenty-six years old, unemployed, and living from weekend to weekend that he may get wasted on drink and drugs, and party with his friends. His girlfriend has recently emigrated to Canada. What was meant to be a new start for both of them has been delayed due to the death of Neil’s grandfather and the promise of an inheritance. Neil now joins his aunts and uncles in looking after his elderly grandmother while he tries to unearth what it is that he has been bequeathed.
Neil lived with his grandparents after his mother died so is close to the old lady. When he is with her she asks him to read letters from her father who, when he was Neil’s age, was a part of the 1916 Easter Rising in Dublin. This man, Harry Casey, captured images of the historic event on his Pathé hand cranked 35mm motion picture camera. His involvement with the insurrection is detailed in the letters Neil reads but it is believed that the film itself was lost in a fire. As the story unfolds Neil finds clues that suggest this may not have been the case. He wonders how much such rare archive footage could be worth.
We are offered the story of Neil and the story of Harry side by side. Neil believes that Ireland has let his generation down, that his country is a lost cause to which he owes nothing. He is desperate to cash in on the letters, to find the film if it still exists and sell it to the highest bidder. Harry, it would appear, had been willing to die for the betterment of his country. Neil’s grandmother believes that her children and grandchildren should feel duty bound to remain in deference to the sacrifices made by him and his peers.
The tightly woven narrative is written in a voice that is distinctly Irish. Neil’s frustration with his life, his love for his grandmother, his impatience with her ideals, emanate from each page. The greed of her children and her knowledge of this add poignancy. The aunts and uncles see an investment, not a home; valuable assets rather than treasured momentos. Their mother cannot comprehend that they do not share her experiences which are what make these possessions so valuable to her.
The supporting cast are deftly presented to provide alternative voices. Enda appears as the antithesis of Neil with his love of history and culture. Neil looks to his girlfriend, Kathy, to save him from the drudgery of his life but struggles with the price she demands. The simmering discontents within the family are razor sharp. The hubris of the politicians is all too recognisable in both eras.
A skilfully crafted montage that vividly brings to life two periods of Irish history. Whilst it does not attempt to offer answers, it will urge the reader to ponder the issues explored.
My copy of this book was provided gratis by the publisher, Liberties Press.
[…] Liberties appeared on my radar when they published Jan Carson’s debut novel ‘Malcolm Orange Disappears’. I hope to review Jan’s next book, a short story collection titled ‘Children’s Children’, in the coming weeks. You may check out my thoughts on another of Liberties’ titles, ‘Citizens’ by Kevin Curran, by clicking here. […]