Blackout, by Ragnar Jónasson (translated by Quentin Bates), is the third book in the author’s Dark Iceland series. It is set in the time period between the previous two – Snowblind (which I review here) and Nightblind (which I review here). In this installment it is summer in Iceland, although the south of the island is suffering the effects of a volcanic eruption which has blanketed the area in an ash cloud.
The story opens with the discovery of a mutilated body outside a partially built house near the northern town of Skagafjörður. The victim’s legal residence is listed as Siglufjörður so this town’s police officers, Ari Thór and Tomás, are asked to assist in the suspected murder investigations. The third officer on their team, Hlynur, feels overlooked when his younger and less experienced colleague is given precedence by their boss. Hlyner’s increasing absent mindedness, due to persistent and threatening emails, has been affecting the quality of his work.
Ari Thór and Tomás travel around Iceland interviewing the dead man’s acquaintances. They are not the only ones doing so. A television news reporter, Isrun, is also taking a close interest in the case. She travels north in the hope of uncovering secrets that will enable her to regain the respect of her colleagues in the newsroom. All three soon discover that the man had been involved in shady dealings, the details of which are being kept secret by his acquaintances for a shocking reason.
Ari Thór is often abrupt and bad tempered. He is missing his former girlfriend, Kristen. Tomás is also lonely and contemplating moving south to rejoin his wife. Leaving Siglufjörður, where he has lived for so long, would be a wrench. The officers personal preoccupations distract them from reaching out to help Hlyner as he sinks deeper into a mire of his own making.
The writing jumps around in time and place offering many threads which coalesce as the denouement approaches. There are significant events from dark pasts to recount, the isolation and austerity of the land seeming to seep into its resident’s psyches. The style of the prose reflects this. It is succinct and spartan, atmospheric with elements of stark beauty.
This is another enjoyable installment in an excellent crime fiction series which is gripping but never formulaic. The reader is transported to Iceland where they become caught up in the twisty tale. Ari Thór is on form as the prickly yet likeable young protagonist. I am already looking forward to reading his next adventure when Rupture is released early next year.
My copy of this book was provided gratis by the publisher, Orenda Books.