The Shogun’s Queen, by Lesley Downer, tells the story of Okatsu, the daughter of a minor Japanese lord, who is taken from everything and everyone she knows to become wife of the most powerful ruler in the land, the Shogun. It is set in the mid nineteenth century when Japan was invaded by those they referred to as barbarians – well armed traders sent from countries in Europe and America. The cherished culture and rituals of the Japanese way of life was thereby changed forever.
Okatsu has never known poverty but, as the political machinations of the lords and princes of her region propel her ever higher up the strictly preserved social and political hierarchy, she discovers wealth beyond comprehension. Those who have acquired these riches and the power it brings are loath to risk relinquishing it. They will stop at nothing to strengthen and secure their position.
As a woman Okatsu has little choice in the course her life must take. Whilst she accepts this she also rails against the loneliness she must endure. There are few she can trust. She is watched constantly and is required to obey. When she grows close to her husband this is seen as a threat as well as a distraction by those who demand her compliance, whatever the cost to herself.
The world depicted is close to unimaginable for modern sensibilities and offers an insight into a way of life that those living it fought to preserve despite the gross inequalities. The powerful men kept palaces of women locked up for their own personal use. When a ruler died this household was required to take holy orders and spend their remaining days praying for their master’s spirit. Some of the women were chosen for their youth and beauty yet never spent time with the man who owned them and could never belong to another. They endured a life filled with sniping and backstabbing, locked up forever in a luxurious prison.
The descriptions of the barbarians are particularly interesting – how what is unknown is feared, as is change. There were plenty who were intrigued by the gifts presented by the invaders – telescopes, cameras, steam engines, weaponry – but they regarded the smelly, hairy, meat eating giants as uncivilised if dangerous buffoons.
I found the pace of the story slow at times, as was court life for the women at the time. There was much repetition as Okatsu grappled with her assigned quest, her loneliness and her feelings of betrayal. The treatment of children in the Shogun’s household was particularly difficult to comprehend.
The story is a fictionalised account of true events. Each of the characters existed and their roles are as accurately portrayed as remaining accounts allow. The author has a personal fondness for the area and was meticulous in her research.
For those interested in Japanese history and in the effects of the spread of western influences around the world this is a worthwhile read. As a story I would have preferred a tighter telling, but it is a fascinating window into a way of life where change was opposed, yet where it is hard not to regard such change as a progression.
My copy of this book was provided gratis by the publisher, Bantam Press.