Block 46, by Johana Gustawsson (translated by Maxim Jakubowski), is the first book in a proposed new series of crime thrillers featuring protagonists Emily Roy, a Canadian profiler working for Scotland Yard, and Alexis Castells, a French true-crime writer living in London. Dealing as it does with a suspected serial killer who preys on young boys, and with a backstory that graphically details the horrors of the Buchenwald Concentration Camp, the tale is dark and raw in places. It studies circumstances that can allow for the normalisation of evil.
The story opens with a group of high-end friends coming together for a launch in London of a bespoke jewellery line created by Linnéa Blix, who is one of their number. When she does not show up for the event they are gravely concerned as this was a much anticipated highlight in her career. Three of the group – her partner Peter, and old friends Alba and Alexis, opt to fly to Sweden where Linnéa had been on retreat. As they arrive they are informed by the local police that Linnéa’s mutilated body has been found on a small marina near her holiday home.
The short chapters jump around in time and place which took me some time to engage with. A body is being buried in a wood in 2013; a German medical student is experiencing dehumanising treatment in a crowded train on his way to Buchenwald in 1944; the Swedish police call in a talented profiler to assist with their investigation into Linnéa’s murder in 2014. The London based friends experience intense grief at their loss and I was somewhat perplexed by how emotionally invested they appeared to be. Perhaps this is simply that I struggle to empathise with such relationships.
Of the key protagonists, I found Alexis weak initially but enjoyed the way Emily’s character was being developed from the off. Both harbour tragedies from their pasts that are gradually revealed. This promises to be an interesting literary pairing.
The presentation of the thought processes of the killers, both contemporary and at Buchenwald – the pleasure they derived from their actions and the way they justified what they were doing – is chillingly portrayed.
The tension picks up as the threads are expanded and the murder investigation progresses. The twists and turns ensure that the reader cannot easily guess the next reveal or where it may be leading. The denouement was deftly handled although not all my questions were answered. I am left wondering if I missed clues along the way.
I enjoyed the reactions of the characters to each other. For example: the policeman Olofsson generates annoyance amongst colleagues with his actions and attitudes yet is genuinely trying to fit in; Emily changes persona when she deals with interviewees as she has been advised what manner can be effective, something that perplexes the more emotional Alexis who has only previously experienced Emily’s natural brusqueness. I was drawn to Emily, her innate abilities, honesty and social distancing.
The author has based the Buchenwald sections on the experiences of her grandfather and these are a strong if disturbing addition to the story. In weaving a contemporary plot around how certain inmates may have been affected long term by interactions within the camp, and the cost of their survival, the reader is challenged to consider personal actions and justifications.
Despite a lingering degree of ambivalence there is much to ponder from this tale. It developed into a gripping if sometimes harrowing read. I will look with interest for the next book in this series. The author’s astute and uncompromising style suggests she is one to watch.
My copy of this book was provided gratis by the publisher.
This post is a stop on the Block 46 Blog Tour. Do check out the other blogs taking part, detailed below.
Block 46 is published by Orenda Books and is available to buy now.