This post was written for, and originally published by, Bookmunch.
Selected Stories is a collection of twelve short stories written in spare, understated prose that resonates with poignancy and perception. Many are set in or link back to the same small corner of Gaeilge speaking north-west Ireland. Time frames differ but the characters harbour familiar hopes, joys and despairs. These are tales of small yet complex lives as lived inside individual’s heads where experiences are curated to fit personal ideals. Resulting disappointments or absurdities are sympathetically rendered. There are few surprises as the plots develop but portrayals are replete with insight.
The collection opens with ‘Blood and Water’ which explores a family’s treatment of an aunt, regarded as odd yet fortunate to have been born in a time and place that accepted atypical behaviour without need for scientific labels or state sanctioned treatment. There are kindnesses and cruelties dealt. Neglect is passive if selfish, discomfortingly familiar.
Family and how members regard each other’s behaviours is a recurring theme. Duty visits assuage guilt more than helping the afflicted. Those who leave are expected to desire a return, their reasoning regarded as insignificant. The difficulty of understanding other’s feelings shines through.
In ‘The Pale Gold of Alaska’ two sisters travel to America to take up positions as housemaids. The younger decides en route that she will marry instead. Particular challenges of tying one’s life to another are deftly depicted. The sisters believe they have each made the better choice and must thereafter continue to convince themselves.
‘The Day Elvis Presley Died’ explores a relationship between an Irish and an American student on holiday with his parents. The first shine of lust has worn away revealing still unacknowledged differences.
“She heard him, and understood what he was saying. But she went on imagining another story for herself”
‘The Banana Boat’ is also set during a holiday and explores the precariousness of life and randomness of death. It is told from the point of view of a mother trying to involve her teenage boys in family activities, which could too easily go awry.
The latter stories in the collection revolve around writers and their literary world. They explore the value of the craft, the possibility of originality, and how quality can or should be measured.
‘Literary Lunch’ offers an acerbic look at those who select the recipients of grants and prizes. There is sycophancy and favouritism alongside the desire for recognition. Those continually passed over become increasingly venomous. The consequences of revenge are ironically dealt with in the following tale.
‘The Coast of Wales’ provides a fine conclusion, dealing as it does with the impact of a death. Despite the morbid setting and subject matter it is an uplifting read.
Any Cop?: These stories are richly satisfying with a voice that is distinctly Irish yet universally relevant. It is fluent, effective storytelling.