Levitation, by Sean O’Reilly, is a collection of eleven short stories narrated in a distinctly Irish voice. They are raw and often unpleasant in their imagery. The characters lack empathy and emotional intelligence. They are self-absorbed and eager to indulge in whatever provides personal gratification. In the minds of the men, sex conveys a type of ownership and is given priority over what would generally be regarded as common decency. The author describes in detail acts I would have preferred not to have pictured in my head.
The collection opens with Hallion, a story that later continues with Hallion #2. Although not drawn to the tale initially, these turned out to be amongst the more palatable offerings in the book. The writing style took some getting used to as slashes replace more regular punctuation. Hallion tells of a man desperately trying to find someone, anyone, to care for his baby son that he may keep an appointment for a kneecapping. Hallion #2 deals with the aftermath. As stories these work. They draw the reader in to the accepted violence of the lives being lived.
Free Verse introduces a poetry writing barber named Clyde who has done time in prison. On release from this incarceration he published a book of verse on the advise of his therapist. The woman who inspired him, and to whom he dedicated the book, is not impressed. She wished to forget he existed and resents the reminder, given to her by a journalist. She confronts Clyde with an ultimatum that he struggles to accept.
The barber shop, in Capel Street, Dublin, along with its staff and clientele link each story in the collection. With a sizable cast of characters it was, at times, a challenge to keep track of their various relationships.
Rescue tells of a marriage under stress. Portia and Tiernan, a couple who seem ill suited except, perhaps, in bed are separated when one of their dogs attacks a child at a social gathering. Portia flees with the creature, angering her husband as his carnal needs are not now being met. He turns to drugs, a habit she had previously demanded he breaks. Eventually he follows her to the countryside. Tiernan is angered that his wife will not put his needs first.
The Cavalcade offers further degeneration. Two young people and an older man act out some sort of dominant/submissive sex game. Each are emotionally damaged. Graphic details of their encounters are provided. I found this sickening to read, pornographic in nature.
Downstream is also crude. Sex games are played, actions described, little understanding displayed between the players. Again, it was unpleasant to read.
The Three Twists offers more of a story, although with violent undercurrents. It provides little relief.
Love Bites/Dark Horses has a younger cast but the plot is somewhat opaque. Older family members have been caught misbehaving. There may be an abortion being dealt with. A young girl turns to the church but fears voicing her secrets.
Despite the sex, drugs and violence, many of the characters do still attend the Catholic church. Such hypocrisy added to the distastefulness rather than providing anything of depth.
Ceremony is set around a naming ceremony for a baby. It portrays men who feel hard done by, damaged to an extreme, if the women they want to have sex with do not act as they wish. For no reason I could fathom details of flatulence and the need to defecate are included. The characters are unlikable enough without the need for such typically schoolboy particulars.
Critical Mass II is described as an abandoned work and is written in this style. Again, unpleasant details detract from the story arc. A sister smears spit across her brother’s mouth, her bad breath repeatedly mentioned. The boy appears to be a sacrifice or seer. It is, as titled, unfinished.
Levitation is set in the barbers shop and includes many of the characters from the previous tales. It has a story arc but not one made entirely clear. As the final offering in a collection I was not enjoying reading, I had hoped for something stronger in this, the longest tale. It was not to be.
As mentioned, these stories include copious drug taking and sex. I became bored by the repetition, searching behind these porn inspired, teenage tropes for whatever meaning the author intended to convey. In the end it all became too murky. If there is brilliance it has been shadowed by the discomfort of the prose’s leering gaze.
Levitation is published by The Stinging Fly Press.