On Thursday of this week, The Times Literary Supplement announced the longlist for the 2017 Republic of Consciousness Prize for Small Presses. You may read the article, which includes Neil Griffiths’ thoughts on each book, by clicking here. This made public the results of a process I have been involved in since the summer. As a member of the prize’s reader bloc I have been privileged to be a part of the judging process, reading all the books submitted and providing my views. The reader bloc have been sharing their thoughts and opinions amongst themselves over the past few months which has highlighted differences in reading preferences. One thing we have all agreed on though is the high quality of the submissions. We have read some of the best literary fiction published this year.
The longlist is an outstanding selection representing the wide variety of titles we were asked to consider. When Neil Griffiths created the prize he wrote the following Mission Statement which I kept in mind as the judging process progressed.
The Republic of Consciousness is an expression of the affect of a particular kind of writing. Whilst I’m sure there are examples before Shakespeare, for our purposes the Shakespearean soliloquy might be regarded as the first explicit attempt to deliver us into the consciousness of another person, to take us from being mere witnesses to a character’s behaviour to participating in their lived experience. It is an act of phenomenological conjuring, which in slightly less technical parlance means the re-creation of a perceived world without any mediating voice. Of course there is a contradiction in this definition: the novel or play is an artefact, a work of fiction, and a long way from direct prehension of phenomena. And yet. There are writers whose work suggests that human consciousness beyond their own can be accessed, and through that the categorical unknowableness of others’ lived experience might be revealed. It is writing as a moral act. The Republic of Consciousness is here to support and celebrate this.
The prize is intended to reward small presses willing to take a risk on books that offer readers ‘hardcore literary fiction and gorgeous prose’. The longlisted titles meet these criteria and more. As well as literary merit the judges were asked to consider how much we enjoyed each reading experience.
I have already reviewed these works – you may check out my thoughts by clicking on the titles below. Should you choose to read these books do please consider borrowing from a library, buying from an independent bookshop, or ordering direct from the publisher where this is possible. These small presses can only survive if they are able to cover their costs and Amazon does not always support this endeavour. If you click on the publisher listed below you will be taken to their page for the book.
The shortlist will be announced at Waterstones Manchester on February 15, 2018. To keep up with news on the prize you may follow on twitter at @prizerofc. It will be a challenge to whittle this list down to the five from which the winner will be selected later in the spring.