Not Quite Lost, by Roz Morris, is a travel diary written with an underlying sense of fun. Each of the places the author visits is recounted as a series of anecdotes such as one might share with a friend on a night out. It is a wryly humorous account of the author’s travels, mainly in the UK out of season. She is drawn to places with a quiet history, which she seeks out and shares. The stories are packed with an eye for the unusual in people and place. What could be seen as an unpleasant walk, a challenging drive or disappointing accommodation, becomes an adventure when viewed through her droll and enquiring lens.
The book opens with news of a demolished childhood home, which leads to an on line journey back into Morris’s own history. She investigates the property’s provenance and recalls her personal experiences as a resident. This sets the tone for many of the following tales. Wherever she stays, even if only for a few days, she wishes to understand the background to her surroundings, and how it came to be whatever it is today.
There are a few journeys abroad: to Paris where the language barrier renders her and her typically voluble partner mute; to Mexico where they get married without understanding a word that is being said; and to Italy where she experiences an earthquake whilst in the company of friends. These stories have been honed in the telling, affecting experiences turned into entertaining tales.
Travels around England are less traumatic but no less engaging. Some of the adventures occur due to a reliance on public transport, others are set later after a car has been acquired. This freedom to travel anywhere, and to stop at will, provides a new set of challenges and ensuing escapades. These are exacerbated when a Satnav takes them on routes best avoided by a not fully confident driver.
Encounters with tour guides, locals and other tourists provide snapshots of stories whose end the reader is left to ponder. The author prefers roads less travelled and observes the surrounding scattered history as she passes through. She recounts incidents that defy explanation, the strangeness of people and their predilections. The cryonicists of East Sussex were particularly weird.
Morris is a successful ghost writer seeking new experiences. One of these occurred when she successfully auditioned as a dancer for a commercial. Although challenging it proved that she could rise above her self imposed limitations. This inspired her to write more under her own name.
The final chapter details the places the author stayed in each of the tales recounted. Given the stories she has told the appeal of these is somewhat dubious. What is clear though is the fun to be had when determined to seek out possibilities. I laughed out loud many times while reading these recollections, and now look forward to enjoying my own next adventure armed with a fresh perspective.
Not sure whether this one is for me. The fact she wants to get beneath the skin of the places she visits is appealing but I’m nervous that the overall tone could be wearing if she is out to show how every event or encounter can be entertaining
It is light and entertaining, unlike the darker psychogeography of recent books I have read which delve deeply into the history and effect of place – this had me laughing out loud on several occasions.