Nutcase, by Tony Williams, is a retelling of the Icelandic saga of Grettir the Strong. The protagonist is Aidan Wilson, a hard lad born and raised in one of Sheffield’s roughest housing estates. Surrounded by violence and addiction he goes from young trouble maker to convicted criminal to vigilante. His size, strength and willingness to defend family and friends leads him down a road chequered by brutality.
Those living on the estates Aiden roams have low expectations. They deal drugs to make money, steal whatever else they need to use or sell, and get off their faces on alcohol and other drugs at every opportunity. Many of them take on jobs labouring, transporting goods (many stolen), or in the shops and pubs they frequent. Few stick to anything long term. Sex is recreational with babies a byproduct, accepted but with little responsibility.
Aiden is one of five siblings. As they grow up and leave the family home to set up with partners or friends they look out for one another whenever they are able. At times Aiden has his own place to live but there are regular periods when he stays with others for work or to escape trouble. This is accepted practice in his community. There are fallings out and regular fights. Aiden acquires a reputation that is both a threat and a means of survival.
There are girlfriends along the way but they bring their own dramas. When one young girl calls on Aiden to help an abused child he ends up in a situation that will haunt him. As will happen again, the grapevine carries different versions of his involvement. He will struggle to shake off the rumours some delight in spreading.
Aiden moves around the Sheffield and Leeds areas, spends time in prison, moves to Swansea, and gravitates home. He makes enemies, there are deaths, and he is blamed for his apparently uncaring behaviour. Relations of those he thwarts threaten retaliation. Damage to property is a distraction, bodily harm a regular and accepted risk. The violence of the lifestyle is gut-wrenching, the depiction all too believable.
The denouement comes as no surprise with the portrayal offering insight into the attention span and attitudes of the internet age. Few it appears place value on a life that lacks what the middle classes would describe as prospects, especially when that life has been spent recklessly.
The narrative style is almost blasé yet remains jaw droppingly intense. There are occasional asides about the lives minor characters will go on to lead which provide lighter relief. Nevertheless, the majority of what is being depicted remains horrific, especially that it has been normalised throughout the estates. I cannot say if it is realistic but that is certainly how it reads.
I haven’t been as perturbed by a storyline since I read the incredible We Go Around In The Night And Are Consumed By Fire yet even it has characters who desire a better way of living. Aiden Wilson and his family never seem to consider this a possibility. Given their repeated actions I am guessing this could be a depressingly pragmatic point of view. I am left pondering what it would take to instigate change, if the Aiden Wilsons of our world would even welcome such intervention.
My copy of this book was provided gratis by the publisher, Salt.