The Trilogy of Two, by Juman Malouf, is a YA fantasy adventure story. The protagonists are identical twins, Sonja and Charlotte, who are twelve years old (I would guess the target audience to be a similar reading age). The girls are musical prodigies who live and perform with a travelling circus. The world created within these pages is dystopian with magic and imagined creatures. The baddies have the upper hand and the twins will be key in fighting against their wicked plans for wider domination.
When the story opens the girls’ place in the circus is threatened by disruptions that occur when they perform. Their mother, a tattooed lady named Tatty, comforts them but will not explain this strange development. The girls are left unhappy and frustrated. The precocious pair are used to getting away with misdemeanours, such as illegal scavenging in the growing rubbish dumps outside the expanding and filthy cities. They wonder if they would be better leaving the circus and going to a School for the Gifted where they could find friends their own age and perhaps become revered musicians.
Another resident of the circus, Tell the Fortune Teller, suggests to the twins that the mysterious occurrences may be a result of magic inside them which they could one day learn to control. Before the girls can consider this further: a cat steals their talents; the circus is raided by Enforcers from the city; Tatty is kidnapped. Tell takes the girls to stay with old friends for their own safety. They discover that few of the people they have grown up around are as they were led to believe.
A great many people are introduced and the action jumps rapidly from place to place: through the Outskirts; to the city; and on to lands where creatures conjured from the author’s imagination reside. These are all evoked in rich and colourful prose although I struggled with the lack of fluidity. A great deal happens as eclectic peoples must be brought together to fight a new evil. To keep the various reveals secret, little is explained at the time – my reading pleasure frequently stalled.
The developing emotions of the twins are well portrayed with their desire to be together but also recognised as individuals. There are fledgling romances and the jealousies these arouse. The key story idea of why the children’s artistic talents are stolen is depressingly believable and rendered effectively.
I was about three quarters of the way through before my reading became effortless (this did not happen with the Mortal Engines series or the Fleabag Trilogy, young people’s fantasy fiction I have previously reviewed). This tale had some innovative underlying tropes and threads but too often failed to hold my attention.
There are illustrations throughout that guide the reader in understanding how the author perceives her characters. My overall impression of these is that they are otherworldly.
For children who enjoy fantasy adventures this is an original slant on the power of self belief and the perceived value of the arts. Impressed as I was with the individual ideas, their joined up realisation did not engage.
My copy of this book was provided gratis by the publisher, Pushkin Press.