The Book of Alexander, by Mark Carew, is a slow burn that is well worth persevering with. What may in the first half feel protracted is shown to be necessary to reel the reader in. Once the pace picks up sinister elements add to the tension. The trope of unreliable narrator is harnessed masterfully.
The story opens with a personal investigator being contracted to observe and write a report on a young arts student by the father of his girlfriend. Having ascertained where the young man lives the PI gains permission from a business opposite the house to use a disused showroom as his observation base. He watches. He follows. He makes notes on what he sees. As the days pass the reader will become aware of a growing number of inconsistencies in the narrative. Although somewhat discombobulating this will likely be accepted until understood for what it is.
The student, Alexander, socialises with beautiful women. They visit his house and the PI grows intrigued by what is happening inside each room. Eventually he gains entry and the reader learns of Alexander’s art project. Aspects of the backstory that have already started to shift become ever more unstable.
“The happy couple, and they did look happy, passed at a good distance from where I stood, partially hidden as I was behind a lamppost in the side street. I could see their faces, Melanie still wearing her trademark blue beret. I gave them a one-minute head start, enough time for them to cross the river and reach the other side, and then I climbed out of the car and followed them.”
Who is the PI? Who is Alexander? Who has asked for the report being written?
As the answers to these questions are revealed more complex mysteries bubble to the surface. Alexander wishes to reveal to his subjects how other’s see them. He asks that they observe themselves as a third party would. He is most interested in understanding himself in this way. He acts out roles to observe their effect.
His art is at times destructive. There are also suggestions of a more sinister history. Human skulls are mentioned as is an acquaintance who survived a fall from a great height. Parental support may be welcome but is not always benign.
From a gentle, at times sluggish beginning this tale develops into a disturbing, self-reflective chiller. The shifting perspectives demonstrate how filtered any observation of people will be. Alexander seeks subjects for his art. Readers may find themselves captured by his gaze.
My copy of this book was provided gratis by the publisher, Salt.