Trap, by Lilja Sigurðardóttir (translated by Quentin Bates), is the second novel in the author’s Reykjavik series of crime thrillers. I have not read the first. While the story holds together as a standalone I wondered if the limited backstory, which brought new readers up to speed, contributed to my inability to sympathise with any of the characters. Perhaps had I better understood how they ended up in the difficulties they must now face I would have felt more concern over their fates. It is hard to care for drug runners and murderers no matter how much they love those dear to them.
Opening in April 2011, in a trailer park in sunny Florida, Sonja wakes from an unplanned nap to realise that her young son, Tómas, is not where she expected. The pair are on the run from Adam, the boy’s father. He is furious that Sonja has thus far evaded him.
Forced to return to Iceland and resume her job as a drugs courier, Sonja contacts her former lover, Agla, for assistance. Neither of the women appear to understand what the other works as. Theirs is an unbalanced relationship based on sexual attraction – a driving lust and its associated jealousies.
Following the financial crash Agla’s money laundering activities are under investigation. What the authorities are unaware of is their size and reach. Needing to clear a large debt she schemes with others working the financial markets to pull off a lucrative deal. She has many associates who will benefit, operating in powerful places.
As both women call on their contacts in an attempt to extricate themselves from official attention and underworld danger, their games of cat and mouse are surveilled by circling predators. Agla’s activities have come under scrutiny from a diligent investigator at the special prosecutor’s office. Sonja finds herself caught between drug barons vying for power on both sides of the Atlantic, including Adam who is using Tómas as leverage. Even when supposed kingpins are taken down there is always another ready to step into the vacated space.
It is not hard to believe that this is how the mega wealthy operate, and that they will always have minions seeking to increase their personal power and influence by whatever means. The observations on the men involved – driven by ego and unwilling to admire any woman’s superior contribution to their business – were familiar.
Sonja’s strength and resilience were sometimes irritatingly erratic – perhaps this was an attempt to make her appear more human by showing occasional weakness.
Agla misunderstands love, associating it with some form of ownership and control, as did Adam. Despite being clear headed and capable in business she too suffers weaknesses – her egocentric attitude to Sonja, and cocaine.
The writing and structure maintain the tension as each character takes risks and encounters danger. The movement of drugs and money is portrayed as beyond the control of authority – above the law due to the influence of the globally wealthy. Although the story held my interest and attention I found this, and the way key characters were willing to behave in extremis, somewhat depressing to read.
My copy of this book was provided gratis by the publisher, Orenda.