Wolf Country, by Tünde Farrand, is set in a future dystopian England. The rise in cost of supporting welfare claimants – the old, the sick, the disabled – was regarded as economically unsustainable so the elites changed the system. Only they may now own property, living in fenced off tracts of land in the countryside or in exclusive high rises in the city. Others – those capable of earning their Right to Reside – are provided with a home in a redeveloped area of a city, its size and facilities based on their monthly spend.
High Spenders populate the salubrious areas with Mid Spenders aspiring to join their ranks. Low Spenders are given little space and less security. People who run out of funds – non profitables – are either sent to a walled off wilderness known as the Zone to die amongst gangs of criminals or, if they had been consistent spenders for enough years, retire to a Dignitorium where they will be looked after for a set period of time before being terminated.
The story is told from the point of view of Alice, a school teacher married to an architect, Philip. On Boxing Day he goes missing, presumed dead in an explosion at a shopping complex. Distraught at her loss Alice struggles to cope, especially when she realises their extensive savings are severely depleted. Instead of looking forward to the expected promotion to High Spender, she faces the prospect of a future downgrade.
Chapters move around in time to offer glimpses of Alice’s childhood and then courtship with Philip. Her older sister, Sophia, had been a keen proponent of the new social order, going as far as to turn in a non profitable family member who resisted the local authority’s demand that they enter a Dignitorium. Alice hasn’t seen or spoken to Sophia since she left the family home to marry the son of an Owner.
Dignatoriums are not just for the elderly. Anyone who cannot maintain the prescribed lifestyle as a profitable member of society is regarded as an unacceptable drain on resources paid for by the hard working. Non profitables are openly castigated with anyone supporting them accused of selfishness in allowing them to live.
Philip’s father, a talented artist, lives in the Zone where he has somehow managed to survive for several years. He disapproved of his son’s choice of wife, regarding Alice as a willing puppet of a deeply flawed and cruel system. When Alice tries to find out what happened to Philip she gradually uncovers the truth behind the propaganda she has accepted all her life.
The denouement offers a salutary lesson. Although a bit much in places for my tastes, the clever final lines once again raise the bar and leave a strong impression.
Given contemporary attitudes to those in need – the rise in hate filled rhetoric and blaming of the poor and displaced – this is a chillingly believable depiction. The writing style brought to mind Ishiguro’s Never Let Me Go with Alice’s compliant acceptance of the brain washing that ensures propagation of blatant consumerism and dehumanising of the needy or aged. The structure and flow are well balanced with moments of tension adding to reader engagement. This is an addictive and worryingly prescient read.
My copy of this book was provided gratis by the publisher, Lightning Books.