Magnus, by Mark Carew, is mostly set on a remote island in northern Norway. Five students are spending a week studying the mosses that grow there for a project that will enable them to complete their studies. The professor overseeing their work owns the island and is nearing retirement. It is he who agreed to accept the outsider, Magnus, despite the man’s infamy putting others off attending. The group is small for what is usually a popular placement.
Magnus is older than the other students as he has struggled to graduate. His many health and behavioural issues have led to the university extending the time he is allowed to continue at the institution. This week, however, is his final chance to attain a degree. Magnus’s contempt for other people verges on the dangerous but the professor considers himself capable of managing whatever situations develop.
The island has no phone or internet connection. Power comes from a generator. Food and drinking water must be brought in. The residents are all but cut off from the world for the week they stay.
Parallel to the story of the island group is a tale of a young, English tourist, Alexander Clearly, who is travelling through Norway is search of adventure. He buys a wolf skin that he wears as a cloak and carries few other possessions. There are hints as to his relevance to the main plot and this is eventually revealed.
The arrogance of these two characters puts their lives in danger as they are determined to survive alone, on their wits, by whatever means. Along the way they encounter kindnesses that are rarely appreciated as most would expect. They are loners who only seem to regard their mothers with any sort of fondness. They wish to mate with women but lack social skills.
The dormitory accommodation on the island leads to issues when Magnus goes out of his way to be unpleasant. The group rejects him and he plots his revenge.
The writing is raw in places, which suits the animalistic behaviour of the protagonists. There is much dialogue but once the pace picks up the tale becomes compelling. I was reminded of Scandinavian Noir in translation despite this being an English work. The sense of place is strong throughout. The rituals described are evocative with the undercurrent of unease building well.
The denouement is tightly woven if disturbing. Magnus is really quite a terrifying creation when considered clearly. The reader, like the professor, will be challenged by the desire to give even dysfunctional people a chance, and the dangers this can lead to. A thought-provoking story that is well worth reading.
My copy of this book was provided gratis by the publisher, Salt.