When I heard that Venetia Welby, author of Mother of Darkness, was to be guest author at Bowood‘s monthly literary lunch I knew I wanted to attend. The venue is within walking distance of my home and the book being discussed has so many fascinating themes I couldn’t pass on the opportunity to find out more about how the story came to be created. I was grateful to be granted permission by the organisers to slip into the venue after the ladies attending had finished eating in order that I might listen to Venetia’s talk. This proved to be as interesting as expected.
The following is taken from notes I jotted down on the day. I cannot write fast enough to capture everything that was said but I hope it offers a flavour and is of interest.
Venetia opened by explaining the importance of the setting of her novel – London’s Soho. She loves the stories that come out about the place – of its former decadence. Now its skylines are dominated by cranes as work for Crossrail proceeds. Iconic clubs and other venues have been replaced with chain coffee shops. Her protagonist, Matty, lives in a flat that is based on one Venetia lived in. He feels he was born in the wrong era, hankering after the former velvet jacketed debauchery that was once accepted.
Matty considers his drug dealer to be his only friend. He struggles to deal with reality. There is a novel within the novel as Matty tries to rewrite his past. He considers himself a ladies’ man but treats women badly.
At the beginning of the novel Matty appears to be a lost cause. Venetia wished to explore if he could be brought back from the brink. She read an extract where Matty is considering his surroundings – the house on his street where Sebastian Horsley once lived that bears a plaque, ‘This is not a Brothel’; the classical literature he no longer reads but keeps to impress women; the luxury apartment blocks replacing the Soho he would prefer to live in.
Ventia talked of both Soho and Matty undergoing an identity struggle. In writing Mother of Darkness she wished to explore delusion and madness. Matty sees a therapist whose notes are included in the book. Venetia spoke to three experts as part of her research to ensure these came across as authentic.
The first was her flatmate, an NHS psychiatrist who was working in Soho and studying for exams, including the work of Freud. Matty’s mother died in childbirth and he maternalises girlfriends.
The second person she spoke to explained about the various types of separation issues that form in childhood: secure attachment, anxious attachment, avoidance attachment, chaotic attachment. Matty suffered a domineering father and can’t form a coherent narrative about what happened to him in childhood. His self destructive behaviour is an attempt to protect himself from the world. He tries to remove himself from reality in order to survive reality.
The third person spoken to introduced Venetia to: primordial images or archetypes (Jung wrote that an image is called primordial when it possesses an archaic character that is in striking accord with familiar mythological motifs); the eternal boy and associated narcissism. Matty has dysfunctional relationships with women. He elevates himself to god like status.
Venetia was interested in how, for example, a founder of a cult comes to believe in themselves.
She also looked to her classics education: the stories of Dionysus; the Oresteia trilogy (written by Aeschylus, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Erinyes). Matty identifies with Orestes. The internal experiences and slide from reality makes perfect sense to him. By rejecting benevolence and embracing his animal nature, Matty can justify his behaviour. He sees everything through the lens of apocalyptic delusions.
A second reading – from when Sylvie tries to tell Matty she is pregnant – illustrated the world as Matty sees it. He observes the streets of Soho as radioactive and drowning in blood. He believes he will transcend the abyss and that Feracor – whose voice he has been hearing – will save him.
Questions were invited from the audience.
Q: Where did Matty come from?
A: He was skulking in the corner of another story I was writing. There are two types of people – those who party too hard and end up with drug induced psychosis, and those who swap their hard partying life for an alternative obsession such as religion. Dark cults – those who believe they are the next Jesus – display an innate arrogance. I am interested in how they can think this way.
Q: Your book is so relevant for current times, more should read it.
A: Thank you. I think also there is a crisis among young men. Drug use is a part of this.
Venetia was thanked and information shared on upcoming events, including the creative writing workshop detailed below. There was then the opportunity to purchase Mother of Darkness and have it signed by the author.
I was pleased to have the opportunity to speak briefly to Venetia. She is a lovely person and I look forward to chatting to her again at my next literary event – the Republic of Consciousness Winners’ Announcement – which, it turns out, we both plan to attend.
Mother of Darkness is published by Quartet Books
On Tuesday 21 April, Venetia will be running a Creative Writing Workshop at Bowood, specifically designed with beginners in mind. To find out more and book a place click here.