“I would not let a man who knew the value of nothing make me doubt the value of myself”
‘Ariadne’ is a retelling of the Greek myths of Ariadne and Phaedra, the daughters of King Minos of Crete. It sticks faithfully to the source material, weaving a beautiful – if at times tragic – tale of two women, trying to find a place in a world of men. A highly readable novel, it makes a worthy addition to any mythology fans’ shelves.
Ariadne has grown up in luxury as the Princess of Crete, free to spend her days dancing the halls and weaving her loom. However, her life has two blights – her fearsome father, King Minos, and her even more terrifying half-brother, the Bloodthirsty Minotaur. When Theseus, Prince of Athens, arrives as one of the Minotaur’s yearly sacrifices, Ariadne is besotted and vows to help – but helping Theseus means betraying her father and Crete, sacrificing the only life she has ever known. Besides, does the woman in the hero’s story ever get a happy ending?
The novel starts with only Ariadne’s perspective,but from part II onwards there are two – Ariadne and her sister Phaedra. Ariadne is by far the stronger character. Sheltered and naive, she’s a sweet girl who wants to do the right thing, but struggles to figure out what that is. As the story progresses, she grows into a more resilient woman, but still one who turns her face away from the truth of the world in order to preserve her happiness. Her internal dilemmas and insights are fascinating, with the dichotomy of powerlessness and privilege.
Phaedra is always harder and shrewder than her sister, never content to sit back and assume a woman’s role. Her relationship with Ariadne is complicated – she loves her sister, but also hates her passivity and naivety. Phaedra is easy to sympathise with, but there’s a cutting edge to her personality which can make her hard to like, and in some ways she’s even more blinkered and naive than her sister.
Most Greek mythology fans are familiar with Ariadne’s role in the tale of Theseus and the Minotaur, but this is only a very small part of the book. The rest, chronicling what happens afterwards, is far more interesting. Jennifer Saint paints an engrossing picture of the sisters’ separate yet parallel lives, giving an exceptional sense of place and culture. The narrative is relatively sedately paced yet never feels slow. The subject matter inevitably means this book will be compared to Madeleine Miller’s work, and the combination of the focus on feminism and femininity, a prolonged period set on a secluded island, and the writing style, do make this feel much like Miller’s Circe. However, this is a quieter novel than Miller’s work – still emotional, but more of a gentle sea compared to the emotional storm found at the denouement of Miller’s novels.
Saint chooses to stay completely true to the source material – as far as this is possible for a several millennia old translated myth – and my only quibbles with her novel are mostly unavoidable given this. Ariadne’s infatuation with Theseus is instantaneous and feels unrealistic, but then this is very much how love is portrayed in all the major Greek myths. Theseus can come across as two dimensional, with little character development, but then he’s seen entirely through the eyes of Ariadne and Phaedra, who always view him in a certain light. This is an excellent novel, and these complaints are minor, with very little effect on enjoyment.
Overall, Ariadne is a strong addition to the mythology retelling genre, providing an interesting insight into the lives of Ariadne and Phaedra outside of the famed encounter with the Minotaur. Fans of similar modern retellings such as The Song of Achilles and Circe will likely enjoy this book.
Thanks to Wildfire Books for providing an ARC – this in no way affects the content of this review
Published by Wildfire Books
Hardback: 29th April 2021