‘Seven Deaths of an Empire’ is a fast-paced gritty fantasy novel that draws clear inspiration from the Roman empire. With short chapters and constant action, it has huge appeal for fans of plot-driven fantasy – but for those looking for originality or character-driven fiction, it could prove a more difficult read.
The Emperor is dead. His son will be emperor after him, ensuring the ongoing strength and expansion of the empire – but first, the emperor’s body must be returned to the capital, allowing succession to formally take place. Whoever controls the body controls the empire. In the capital, General Bordan – a veteran of decades of service to the empire – works to quell the hints of rebellion and protect the heir to the throne. Meanwhile, Apprentice Magician Kyron finds himself part of the dead emperor’s honour guard, ensuring the preservation of the body and its safety on the long journey home. With war looming on the horizon, the fate of the very empire is at stake.
This is very much a plot-driven novel, with several overarching threads. Bordan senses a traitor in the emperor’s inner circle and works to sniff them out, trying to outmaneuver them before he’s outmaneuvered himself. This feels very reminiscent of the ‘A Song of Ice and Fire’ series and similar political fantasy, with many players none of whom can be fully trusted. Kyron, on the other hand, has more obvious threats on all sides. The forest he’s traveling through is full of tribespeople who hate the empire – after all, it’s trying to conquer them and steal their lands – and beyond that, the empire itself is mistrustful of magicians and magic, and many of his own company would happily see him dead. On top of all this, he’s been stuck with the company’s guide, a tribeswoman who challenges his opinions of the empire’s superiority. As he fights for the emperor and the empire, Kyron must decide if he’s actually on the right side.
Bordan and Kyron are interesting characters, although neither is easy to initially connect with. Kyron starts off a stroppy, entitled teenager, unshakeably convinced in the empire’s might and righteousness. His worldview is completely black and white, and he reacts to his worldview being challenged with anger and derision. Bordan starts off every inch the hard, military man, attacking first and asking questions later. He comes off argumentative, intolerant, and harsh, convinced that atrocities are worth it for the good of the empire. As the story goes on, more nuance appears. Doubt creeps into Kyron’s mind and he starts to question teachings he always took for the complete truth. Bordan starts to show signs of weariness, heart creeping in where previously the answer to everything was the sword. Both characters are complex, but as the story goes on they become far easier to relate to.
Some of the secondary characters are more intriguing than either Bordan or Kyron. Magician Padarn, Kyron’s master, is clearly an intelligent and well-travelled man who has a far more rounded view of the world and a subtle sense of humour. Emyln, the guide from the local tribes, is the best character in the entire book and I wish she had been given a perspective of her own. She’s loyal to her people but has agreed to help the empire, for reasons that later become clear, and challenges Kyron’s views in a remarkably patient manner. She’s clearly exceptionally intelligent and strong-willed, and I’m sure she’ll have a huge part to play in any sequels.
The initial pacing, unfortunately, is a slow drudge. I had to put this book down several times in the first third because nothing appeared to be happening, and the short chapters made it difficult to connect with either point-of-view character. Fortunately, once the world and situation are established and things start to happen, the action draws you in and it becomes much more enjoyable. It’s a shame the book doesn’t jump in at the fast pace it proceeds at for the majority of the novel, but many longer epic fantasy novels start slowly due to their complexity so its an understandable decision.
The worldbuilding itself will be familiar to anyone who reads a lot of epic fantasy. The setup is highly Roman inspired, with an empire gradually conquering all the surrounding lands which it sees as filled with barbaric tribes. The empire sees itself as saving these tribespeople by bringing religion – the Flame, which is clearly Christian Catholic inspired. Magic is part of the empire, but the church sees it as a stain and is highly distrustful of magicians – a nod to the Catholic inquisition. Matthews writes it well, creating a solid and believable setup, and whilst both setting and plot lack some originality they’re very readable.
Overall, ‘Seven Deaths of an Empire’ is a solid book for fans of action-packed epic fantasy with well-written battle scenes. For those familiar with the genre, little about the plot or setting is unique, but it carries out tried and tested tropes well. The beginning is a bit of a slog, but it becomes worth it for the much stronger end. Recommended for fans of ‘A Song of Ice and Fire’ or ‘The Rage of Dragons‘.
Thanks to NetGalley and Rebellion for providing an eARC – this in no way affects the content of this review
Published by Solaris (Rebellion)
Hardback: 22nd June 2021