“Although truth is something that we can experience, it is never possible to express it properly in language because there is always some part that will resist the expression – that will stay unsaid.”
On a Distant Ridgeline, by Sam Reese, is a collection of twelve short stories set around the world. The scope and breadth of the settings are matched by the subjects explored within these pages. That said there are recurring themes: man’s affinity with water; the beauty to be found in creativity; etymology and Greek myths. The tales are tinged with a melancholy born of thoughts of what might have been had other choices been made. Characters are searching for home, to be found in people rather than place.
The author employs each of the senses to create evocative imagery. Food has colour, texture and aroma as well as taste. Music draws out aspects of characters, previously unseen. The way individuals view greens and blues highlight the variations in how surrounds are experienced and remembered, even by those there together. Memory is fragmented, offering comfort as well as regret.
In a note at the end of the book Reese writes of the short story form:
“because they are so short, they must work by implication, giving us the precise words that will make us see a room, a dawn, the start of love, a death. A short story takes a person’s life, perhaps a single day, and shows us the world.”
In leaving much to implication, the reader is trusted to understand both the dissonance and connections in each relationship, how it is only possible to know a fraction about how another person parses their world.
I am unfamiliar with the many locations in which these stories are set but most of the characters are recognisable travellers across time as well as space. Placing characters away from where they grew up enables their sense of belonging and displacement to be explored. Decisions taken haunt with what might have been.
“Did you know that’s what I have admired about you from the start – not your hand per se, but the way you stretch it out and grasp. You want to know more, to begin to glimpse the way that things relate to one another, brush aside the veil, see the place where they connect. It is different to me, the way that you find connections. You are not an archivist, shoring bits of knowledge up against a future loss; you’re an architect, someone who can see the underlying pattern”
A life is described as ‘a whittling, a loss’, in the way fragments of wood get discarded to enable a craftsman to create a desired shape. Others live through gathering, collecting what may appear disparate clutter but has potential to come together as a thing of beauty.
The stories are of: family and friendships, finding love and suffering loss, regret and redemption. Characters include fathers, brothers, lovers, colleagues, young and old friends. Such universal motifs are wrapped within prose that absorbs and transports the reader. There is darkness and yearning but also radiance.
A finely varied collection that is rich and rewarding to read. These are stories to be savoured.
My copy of this book was provided gratis by the publisher, Platypus Press.