Mothers’ Day – Guest Post by Emma Curtis

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Today I am delighted to welcome Emma Curtis, author of suspense thriller One Little Mistake (which I review here), to my blog. Emma’s book explores the tricky balancing act that so many women live juggling friendship, marriage and motherhood – and the catastrophic consequences of a seemingly small mistake. She has written this guest post for Mothers’ Day.

On Mothers’ Day, we reflect on everything our mothers did for us and we give them a call, or take them a bunch of flowers, and thank them. This is the time to forget the fact that as teenagers, we said to ourselves, if I ever have children I will never do that! It’s the time to forget the parties we weren’t allowed to go to, to forgive the unreasonable bedtimes and irrational decisions that were never satisfactorily explained. When you have your own children you quickly realize that even if you do have a mental check list of the dreadful things your own mother did, there is a one hundred percent chance your kids will be able to come up with some humdingers of your doing. Mothers’ Day is a time to remember that mothers are human beings, and if they make mistakes it’s because they love us and worry for us and sometimes overreact.

One Little Mistake is a novel about an ordinary wife and mother who doesn’t always get it right. But none of this would have mattered and she would have muddled on, just like the rest of us, had it not been for one major lapse in judgement. When I wrote Vicky Seagrave, I drew on my own experiences of falling into motherhood four years before I had planned or wanted to. It caught me and my husband by surprise and we were unprepared for every aspect of it: the love, the fatigue, the mess, the restrictions, the adjustment in our own relationship.

Vicky’s ‘Mistake’ has a catastrophic effect on her life, the reverberations rippling through her marriage, her closest friendship, her job and her position in the community, putting at risk everything she holds dear. One Little Mistake is a psychological suspense novel, so what happens to Vicky and the danger she puts herself and her family in, is of course extreme. However, at the heart of it I wanted to show the confusing side of motherhood: feeling out of control; discovering that it’s not all perfect baby skin, talcum powder and fluffy white towels like in the ads, that it’s mess and tears, it’s unwashed hair and eyes bruised and baggy from lack of sleep. It’s dirty dishes piling up and piling on the pounds. It’s being two hours into a six-hour train journey to Edinburgh and realising you forgot the spare nappies – yes, that was me! It’s keeping things going on the surface and trying to ignore the muddle churning underneath.

But above all, it’s a mountain that we climb not so much because we have no choice, but through animal instinct and unconditional love. And in the end, you kiss your children as they leave the house on their own for the first time and you know that it’s OK. You can forgive yourself the mistakes you’ve made, because they make you proud. And then one day, you tell your twenty-five- year-old daughter, sitting on the sofa glued to her laptop, that you love her and she answers distractedly that she loves you too.

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One Little Mistake is published by Black Swan, an imprint of Transworld Books.

 

How to be an author – Guest post by Brad Parks

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Today I am delighted to welcome Brad Parks, author of Say Nothing, to my blog. In this guest post Brad shares his thoughts on what it takes to write a book. 

 

Having lurked around this blog, I’m aware that Jackie, my gracious host at Never Imitate, Jackie, is a woman interested in all things writing.

And given that I’m the new guy here – Say Nothing is my first book to release in the UK – I probably ought to just shove my hands deep in my pockets, mumble something nice about how you should write what you know, and call it a guest blog post.

Yeah, to hell with that.

I’m here. I’m going to rant. Because while I may be new around here, I’m not new to the writing community. I’ve hung around the bars, the conferences – and, most importantly, the bars at the conferences – long enough. I hear people talk about “talent” (such a misleading word), or “genius” (oh, please) or, worse, “inspiration” (I’ve got your muse right here in my pocket, pal).

And I feel like there’s one thing writers never talk about enough:

Stubbornness.

By stubbornness, I mean gamely bashing your head against the laptop screen – repeatedly and without letting up – until the words come out right; and then keeping at it, day after tormenting/boring/seemingly pointless day, until the whole manuscript comes out right.

And that has nothing to do with talent; or some kind of God-given genius; or, most of all, some blasted muse that will fly down on gossamer wings and alight on your shoulder.

It has to do with grit. And tenacity. And deciding you are simply going to be tougher than everyone else alive.

And you don’t have to be smart to do that. You just have to be breathing.

A small anecdote to illustrate what I’m talking about:

When my wife was in grad school, she had to learn how to administer intelligence tests and I served as her test dummy. Literally. There was one test – I think it was for seven-year- olds – where you had to rearrange blocks.

The scoring was a sliding scale based on how quickly you could complete the task. You didn’t get any points if it took longer than two minutes, but the catch was the test administrator couldn’t tell you to stop.

I kept fumbling with those stupid blocks for twenty-six minutes before I finally solved a problem that slightly-above- average seven-year- olds could do in a fraction of that time.

But that’s the great thing about writing. There’s no stopwatch on you. And you don’t have to be the brightest seven-year- old – or even a dumb forty-two- year-old. You just have to be willing to do the work.

So, yes, my UK debut, Say Nothing, released last week. And maybe the publisher would like you to believe I am just some supremely talented – God, I hate that word – scribbler who was gifted this amazing story one day. But I know better.

And now so do you.

 

Brad Parks is the only author to have won the Shamus, Nero, and Lefty Awards, three of American crime fiction’s most prestigious prizes. Say Nothing is his UK debut.

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Say Nothing is published by Faber and Faber and is available to buy now.

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This post is a stop on the Say Nothing Blog Tour. Do check out the other posts, detailed above.

Author Interview: Liz Cowley and Donough O’Brien

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Today I am delighted to welcome Liz Cowley and Donough O’Brien to my blog. Liz and Donough are the authors of ‘Serial Damage’, which I review here.

1. You have done what so many writers dream of and had your novel published. How have you found this experience?

Liz:

Very rewarding, and also very interesting, writing jointly with my husband Donough. And the publisher, Urbane, is a joy to work with – far easier than some I’ve known. I never thought I’d write a novel – or more accurately half of one – or dovetail so smoothly with a co-author without any disagreements. He does action, I do reaction – and it’s a recipe that seems to work.

Donough:

To tackle something completely new, a crime novel instead of the illustrated history books that I normally write, I realised that to get the detail right we needed outside expertise. Luckily we knew, or got to know, top detectives, judges, psychologists, gun makers and surgeons, and they gave us the accuracy we needed. Most of the places round the world we featured we have actually visited, which was another help.

2. Urbane require collaboration with authors in marketing their books. Has this worked out as you expected?

Liz:

Yes, very well. While Urbane promoted us, we do our bit with a series of launch parties round the country in aid of charity. We also helped to promote the book in both the UK and Ireland using our own media contacts. It helps that we were both from marketing and advertising backgrounds.

Donough:

We contacted the media in places where our ‘murders’ take place, like Cornwall, Kent and Ireland and the local press and radio stations were happy to feature us. Most media are intrigued by a husband and wife writing team, but it also helped that Liz’s latest book of amusing poetry, Pass the Prosecco, Darling! was coming out at the same time. A woman who can write light poetry and heavy murder is surely very unusual.

3. Have you done many live author events and, if so, do you enjoy them?

Liz:

Yes, quite a few. National radio like Saturday Live and lots of local radio. I’ve also given speeches at the Hampton Court Flower Show. My poetry books were made into a live stage show in Dublin and London, and the show was the finale of the West Cork Literary Festival at which I appeared.

Donough:

In addition to the charity events, we have been on the radio a lot and in my case television (BBC Breakfast, etc). I enjoy such events and also meeting all sorts of people.

4. What is your approach to the on line reviews of your book?

Liz:

They are very important – it thrills me if they’ve enjoyed my books, and if you get criticism, you learn from it. In many ways, it reminds of my many years as an advertising copywriter – starting with picturing the audience and then learning from the feedback if you’ve got it right.

Donough:

Yes, very important and one should never worry about criticism. You can’t please everyone!

5. When asked what you do, do you describe yourself as a writer?

Liz:

A writer (never a poet) although I’ve had seven poetry books published so far. I’m afraid the word ‘poet’ tends to make people freeze!

Donough:

Having drifted into this, I call myself an author – I don’t know why!

6. Are you going to do this again – is there another novel in the pipeline?

Liz:

We already have. Urbane are publishing From One Hell to Another next year. Our heroine is a Spanish girl in the French resistance. Once again Donough pulls the triggers and I do the emotional bits.

Donough:

And in February I’ve got a thriller about the IRA coming out with Urbane called Peace Breaks Out. I wrote it with my friend Robin Hardy, famous for The Wicker Man film, who has sadly just passed away. And Liz and I have just finished a sci-fi novel called Testosterone. So collaborative writing seems to work for us.

 

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Liz has had a long career as an advertising copywriter and Creative Director, working in several of the world’s leading agencies. A long-time fan of poetry, she enjoyed success with her first collection, A Red Dress, published in 2008 and her second, What am I Doing Here? (2010), which were then made into a theatrical show – first staged in Dublin, then chosen as the finale of the West Cork Literary Festival and later touring the UK. Her next book ‘And guess who he was with?’ was out in February 2013. Two poetry books for gardeners, Outside in my Dressing Gown, and Gardening in Slippers are selling very well, not only in the book trade but also in garden centres.

Before turning to writing, Donough enjoyed a successful marketing career in the US and Europe. His previous books include Fame by Chance, looking at places that became famous by a twist of fate; Banana Skins, covering the slips and screw-ups that brought the famous down to earth; Numeroids, a book of numerical nuggets, and In the Heat of Battle; a study of those who rose to the occasion in warfare and those who didn’t. His latest historical book was WHO? The most remarkable people you’ve never heard of.

 

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Serial Damage is published by Urbane Publications and is available to buy now.

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Author Interview: Thomas Hocknell

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Today I am delighted to welcome Thomas Hocknell to my blog. Thomas is the author of ‘The Life Assistance Agency’, which I review here.

1. You have done what so many writers dream of and had your novel published. How have you found this experience?

Publication is a fence I’ve been running to leap over for twenty years without any thought as to which way to land – forward roll, the splits, or careen into the nearest gorse bush to emerge quicker than I went in. Time will tell, but at risk of sounding like one of those positive affirmations back-dropped by a rose, publication day was one to savour. Although, it mainly involved sweeping up untouched children’s breakfast cereal and being asked to pay for 4-months worth of backdated Sunday papers at the local newsagent. I used to think writers lived somewhere indefinably special, but they walk among us.

It was certainly a day to quit worrying about MS spell-check missing thong instead of thing throughout the 300 pages of the Life Assistance Agency.  It’s a day like no other, although most writers would claim it’s the best day to start writing the next novel.  Which is lucky, because the most popular question since publication is “Have you started a 2nd one?” I mean talk about not being allowed to rest on your laurels.

Publication day is the sort of day that validates those annoying motivational Twitter status updates involving ‘following your dreams’, and ‘Stars can’t shine without darkness.’ The sort of updates that no one says to your face in fear of being strangled, and without which Twitter would be diminished to people declaring themselves as coffee addicts, uploading photos of cats and flogging vampire novels thinly disguised as porn. Or is it the other way around?

But it’s been wonderful. A dream has come true even if it was a 10-year overnight success. If anything it still feels a little surreal, but it certainly changes your relationship with writing. You suddenly have readers beyond immediate family!

2. Urbane require collaboration with authors in marketing their books. Has this worked out as you expected?

They do. They are an independent publisher, but not having been published before means I have no idea of how it works elsewhere. I’ve been blogging at Idle Blogs of an Idle Fellow for 2 years, and that has gained a secure and loyal following, for which I am deeply grateful. It’s resulted in a kind of established market, albeit a small one. And the generosity of support from friends on Twitter (let’s not call them followers) has been flabbergasting. Ultimately though, you can’t keep flogging the book; it has to take on a life of its own. But there’s no better feeling than seeing it in a bookshop window.

3. Have you done many live author events and, if so, do you enjoy them?

At the first book launch, I so hated being the centre of attention that I found myself still up at 3:30am imploring people to stay, and that it was too early to call it a day. Actually, ask me this again next week, as I have a second one lined up.

4. What is your approach to the on line reviews of your book?

Well, I initially declared I wasn’t going to read any. So, once I’d read them all, I found myself in a collapsed state best known as depression. It’s amazing how one negative review can skewer the glow of the good ones. If I’m honest, it also made me feel exposed and a little vulnerable. I was reminded of the Edna St Vincent Millay quote – “A person who publishes a book willfully appears before the populace with his pants down. If it is a good book nothing can hurt him. If it is a bad book nothing can help him.”  I thought it best to buy some smart new pants.

However, as the weeks passed, the review about me not knowing what genre I was writing in began to sting less. After all, I’ve never chosen to read a novel according to its genre. Then a complete stranger compared the Life Assistance Agency to Douglas Adams’Dirk Gently’s Holistic Detective Agency. He only wrote 2 and a half of these novels, which I always wanted more of. I’m cautious when aligning myself with such a great like Adams, but he was a huge influence that I’m happy to shout about it. His sentences were so unpredictable that you get the sense even he didn’t know where they were going.

5. When asked what you do, do you describe yourself as a writer?

That is a brilliant question. I do now. Or rather no one has asked since I was published, which is a bit annoying, so I don’t know for sure. I look forward to not saying I’m a social worker, at least initially, although that is what pays the mortgage. The most popular question when people hear that you write is “Are you published?” like it’s something that inevitably happens to every writer. Of course you want to grab them by the lapels and scream ‘D’you have any fucking idea how hard it is to get published?’ This is now avoided by simply pointing them in the direction of my T-shirt emblazoned with I’M PUBLISHED.

6. Are you going to do this again – is there another novel in the pipeline?

See what I mean about not being allowed to rest on your laurels! There is actually. I’m pleased to say that this novel can be seen as cue for further adventures of the Life Assistance Agency, which will vindicate its proprieter Scott Wildblood, as much as it will annoy his partner Ben Ferguson-Cripps. I love writing, at least when it’s going well. It’s like pottering about in a garden shed but without the spiders and tripping over the patio heater you don’t recall buying.

Where my readers can find you

Blog: Idle blogs of an idle fellow – Journeys from the fax

Twitter: Tom Angel (@TomAngel1)

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Thomas Hocknell is from Kent and lives in London. He has been a social worker, car salesman and gardener. He attended the Faber Academy and The Life Assistance Agency is his first novel. His blog, Idle Blogs of an Idle Fellow, aims to embrace random topics of modern living, but mostly complains about other people’s inability to make decent tea. He also writes for Classic Pop magazine, the Good Men Project and The Line of Best Fit.

 

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The Life Assistance Agency is published by Urbane Publications and is available to buy now.

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Author Interview: Simon Michael

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Today I am delighted to welcome Simon Michael to my blog. Simon is the author of ‘The Brief’ (which I review here) and ‘An Honest Man’ (which I review here).

1. You have done what so many writers dream of and had your novel published. How have you found this experience?

Like many of the Urbane authors, this is not my first experience of being published. I was published by large traditional publishing houses in the 1990s, WH Allen and St Martin’s Press. On my return to writing I found that the publishing world had changed completely in the intervening 25 years. In the traditional model, which until recent years had no alternative (except, perhaps, vanity publishing) you gave your cherished baby, the work on which you had dedicated months or years of your life, to the publishers in return for an advance on royalties and they did exactly what they pleased with it. You had little or no say in blurb, jacket design, marketing, advertising or pricing. Many of us found it to be a poor experience, and I know even well-established and highly regarded writers who felt let down by the process. We produced commodities, books, for the publishers to dispose of as they thought fit.

The advent of the Internet has changed all that. The polar opposite to the traditional publishing model is self-publication, and anyone can do it and have their book available on Amazon and similar formats within hours. The downside is that it joins millions of other self-published books, and even if it’s brilliant it may never attract a readership.

Urbane Publications offers an intermediate model whereby publisher and author work together in partnership. Profits are divided much more equally (although there is usually no advance) and decisions are taken jointly. When it works, it is a very empowering experience but it depends on the personal relationship between author and publisher which may not always be problem-free, and authors have to expect success to come more slowly, if it comes at all. Small independent publishers cannot afford large sums of money for marketing or publicity.

2. Urbane require collaboration with authors in marketing their books. Has this worked out as you expected?

My part has been more demanding, but also more fun, than I expected. I have designed and produced posters, travelled with a suitcase up and down the country to bookshops, sold the concept and persuaded them to stock the books, and contacted scores of libraries, book groups and bookshops to secure speaking engagements and signing sessions. I am presently involved in arranging a photo shoot for a life-size poster of me wearing court robes and carrying a shot gun!

Urbane have opened doors for me, by getting me onto panels at literary festivals for example, and they have been excellent at managing the pricing and offers on Amazon, something I wouldn’t have been able to do without help.

One of Matthew Smith’s particular strengths lies in cover design; some of his covers for the fiction books have been outstanding and have attracted a great deal of enthusiastic social media comment.

3. Have you done many live author events and, if so, do you enjoy them?

To date I have had approximately 10 speaking engagements, I have 4 more in the diary before Christmas, and will organise more in the New Year. I am aiming at speaking at least twice a month.

I do enjoy them very much. 37 years’ at the Bar and singing in an R&B band allowed full rein to my love of performance, and I didn’t think through the fact that, when I retired to write full-time, that part of my personality would no longer find expression. In fact this is even better. My talks are developing into a “one-man show” with anecdotes from life at the Bar, some personal history as well as insights into the period of the novels (1940s and 1960s) and readings from the books. I am even thinking of adding some music from the periods.

4. What is your approach to the on line reviews of your book?

Fortunately I have only had one poor review, a 2* review on Amazon by someone who had obviously never read the book. You read about competitor authors putting poor reviews on Amazon, and it is my guess that this was an example, so I should probably feel flattered that they saw me as serious competition.

More generally however I often reply thanking the reviewer because I know it takes time and effort to give a review, and few reviewers appreciate the difference it makes to profile and sales. Although all of the reviews of The Brief were 5* and 4* (with the exception of the one referred to above) several reviewers had interesting insights as to the pacing of the first half of the book, and in those cases I have replied agreeing with them and have borne the criticism in mind in the later books.

I enjoy having a dialogue with my readers, and I recognise that I am still learning my trade, so insightful analysis by literate readers is invaluable.

5. When asked what you do, do you describe yourself as a writer?

I have begun to describe myself as a writer but I’m still a bit shy to do so, because it smacks of arrogance and, of course, very few people have heard of me as yet. If, as is often the case, the response is “Oh, have I heard of you?” the inevitable reply “Probably not” is a bit deflating. But my agent is working on a lead regarding a TV series, and hopefully that will all change.

6. Are you going to do this again – is there another novel in the pipeline?

There is indeed, at least three and probably more. The reviews suggest, and I believe, that I’m getting better as a writer as I learn my trade, and the third book, The Lighterman, is complete. It will be published in May 2017, and the consensus is that it’s the strongest so far.

The fourth novel is already part-written. The Charles Holborne series is a long way from the psychological thrillers or police procedurals of which there are so many exponents at present. This series is about a particular man, Charles Holborne, something of a maverick barrister with a background as a boxer and criminal himself. I throw him into the turmoil of the gangland culture of 1960s London, the corrupt police and the biased judiciary. They are thrillers, with a crime/mystery at their heart, and often courtroom scenes on the way, but Charles is on a moral and personal journey and therefore the series of books has a definite arc. He’s presently in the middle of that arc so there are several books to come, but when he’s finished his journey, assuming he survives, I will need to think carefully what to do next;

I want to avoid the stories becoming formulaic. The title of your blog “Never Imitate” is something I identify with closely. Most people who know me would say that I have never followed the path well-trod, and Charles Holborne is an extension of me.

Where my readers can find you

Website: simonmichael.uk

Facebook: Simon Michael (@simonmichael.uk)

Twitter: Simon Michael (@simonmichaeluk)

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Simon Michael was called to the Bar by the Honourable Society of the Middle Temple in 1978. In his many years of prosecuting and defending criminal cases he has dealt with a wide selection of murderers, armed robbers, con artists and other assorted villainy.

A storyteller all his life, Simon started writing short stories at school. His first novel (co-written) was published by Grafton in 1988 and was followed in 1989 by his first solo novel, The Cut Throat, the first of the Charles Holborne series, based on Simon’s own experiences at the criminal Bar. The next in the series, The Long Lie, was published in 1992. Between the two, in 1991, Simon’s short story “Split” was shortlisted for the Cosmopolitan/Perrier Short Story Award. He was also commissioned to write two feature screenplays.

Simon then put writing aside to concentrate on his career at the Bar. After a further 25 years’ experience he now has sufficient plots based on real cases for another dozen legal thrillers.

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‘The Brief’ and ‘An Honest Man’ are published by Urbane Publications, and are available to buy now.

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Author Interview: Angelena Boden

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Today I am once again delighted to welcome Angelena Boden to my blog. Angelena is the author of ‘The Cruelty of Lambs’, which I review here.

1. You have done what so many writers dream of and had your novel published. How have you found this experience?

Writing The Cruelty of Lambs was in part a cathartic exercise. Being a survivor of psychological abuse I felt I was using my main character’s voice to express repressed feelings. I finished the first draft very quickly, writing for 4 hours every morning. It was the endless drafting and redrafting that was the really hard work!

2. Urbane require collaboration with authors in marketing their books. Has this worked out as you expected?

I have over 30 years of running my own business and collaboration with partners has been critical to its success. I think the days of authors handing over their creation to publishers and sitting back while the money rolls in are long gone. Urbane is ultimately in the driving seat but I’ve been working hard to raise the discovery of the book through social media, bringing on board my own PR consultant for TV contacts and proactively putting my story out there. As a professional trainer and presenter, I am already getting offers to talk on coercive control, a hidden form of domestic abuse.

3. Have you done many live author events and, if so, do you enjoy them?

I’ve got a book launch at Waterstones in Birmingham on November 23rd thanks to local contacts – the book is set in Birmingham – a signing in my current home town of Malvern on December 7th , one in Bakewell, where I grew up on Monday November 21st and one next January in Ludlow, Shropshire. I was interviewed on Sky Sunrise on Nov 12th which was a great experience. I hope for many more. My book is not only a gripping read, so say the reviewers, but also raises awareness about an issue people don’t want to admit exists.

4. What is your approach to the on line reviews of your book?

I wrote a recent blog piece about how to handle reviews (link here). I am grateful for people who have given up a few hours of their time to read the book and accept their opinions. I don’t engage in dialogue. If they are negative but have something useful to add to my learning then I take it on board.

5. When asked what you do, do you describe yourself as a writer?

I’ve had a fabulous career as an international trainer until I semi- retired aged 60. These days I do on line coaching and counselling for people who are struggling to make sense of their lives and of course writing but in answer to your question, to call myself an author is …. Well I have to pinch myself! It’s my childhood dream come true.

6. Are you going to do this again – is there another novel in the pipeline?

My second book is finished and has just come back from beta readers. It’s called The Future Can’t Wait and tackles another gritty topic that is swept under the carpet and yes… controversial as well. I hope to keep writing until I drop!

Where my readers can find you

Website:  angelenaboden.com

Twitter: The Cruelty of Lambs (@AngelenaBoden)

Facebook: bodenangelena

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Angelena Boden has spent over thirty years training, coaching and counselling in the field of interpersonal conflict and communication. As a linguist, she has lived and worked overseas, travelled extensively and spent periods in Iran where she learned Farsi.

She is the author of three business books, published by Management Pocketbooks Ltd and is a freelance journalist.

A former resident and graduate of Birmingham, the setting for The Cruelty of Lambs, she is a passionate defender of a city she believes is misunderstood.

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The Cruelty of Lambs is published by Urbane Publications and is available to buy now.

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Book Reviews – Guest Post by Angelena Boden

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Today I am delighted to welcome Angelena Boden to my blog. Angelena is the author of ‘The Cruelty of Lambs’, which I review here. As a book blogger I was interested to read this author perspective on book reviews. I will be posting my interview with Angelena tomorrow.

You’ve agonised over plot, characters and dialogue, driving your household or friends crazy as you divert conversations away from them and back to your book: your wonderful debut novel which you are sure is going to reach great heights. Dreams of Hollywood fill your star-gazing moments.

Your family indulges you, oohing and ahhing over your opening paragraph, then express amazement when you tell them you’ve written 80,000 words. ‘But it’s so hard to get a publisher these days,’ they say with a smirk and a wave of insecurity hits you. A year’s work or more could be all for nothing. ‘Well, I can self-publish,’ you hit back. Millionaires are made on the back of a 99 cent erotic thriller.’

Whichever way you go with your book, traditional, independent or self-publishing you will have to face the day when that great creation you’ve given a painful birth to, nurtured and had to let go to find its own place in the wider world. That is unless you are happy to simply store it under the bed for secret readings in the early hours.

Who knows, it might be discovered when the kids are clearing out the house and it wins a cheeky posthumous award and they fight over the resulting royalties.

Most debut authors fear negative reviews. It’s like starting your first job and being shredded during an appraisal. Self-doubt creeps in, fragile egos get massacred and recently printed pages of that second novel get tossed in the air.

When The Cruelty of Lambs hit the marketplace there’s no denying I was nervous. I’ve been in a creative business long enough to know that not everybody likes or wants your product. As writers we have to accept that. Reviews are like a one way missile. Sensible authors don’t retaliate or demand from the reviewer a blow by blow account of why they didn’t like it.

Reviewers not only provide a valuable service to potential readers but also to authors. I appreciate the time a reviewer has taken to read my novel and the careful crafting of their response to it. If there is something in there I can use for future books then even better. A criticism might sting for a minute or two but it won’t throw me into despair or an emotional breakdown. Quite the reverse. As Hillary Clinton said recently, Anger isn’t a plan.

A plan should be to keep improving and polishing your craft, learning from more experienced authors and write, write, write. It’s tough. It’s a marathon not a sprint and no matter how much work you put into it, it’s guaranteed that a percentage of the reading public might not like it.

So, what should you do if you get a bad review?

In a word, nothing. It’s still a review. Focus on the positive ones. Definitely don’t rush to a social media site to complain! Remember why you write. Many of us are driven to put fingertips to keyboard.

Those words are busting to come out. Make sure they are not loaded with poisoned arrows at reviewers who have been kind enough to give up a few hours of their day to focus on your work. It’s not personal even if it feels like it.

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The Cruelty of Lambs is published by Urbane Publications and is available to buy now.

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