“We fought for you. We fought for you to be extraordinary. We changed the world for you and what have you done with it?”
“Our best. We’re just doing our fucking best.”
Expectation, by Anna Hope, is a book that centres on three female friends and the complexities of their lives and relationships. It offers a reality check for those who believe close friendships exist under a perpetually glowing halo.
Set mostly in the early years of the twenty-first century, the three women attend university before the introduction of tuition fees. They live together in London before rent hikes make such carefree lives in the capital the preserve of the rich. Growing up, both they and their families encourage and take pride in their burgeoning potential. The women are not so well prepared for dealing with future disappointment or perceived failure.
Cate and Hannah meet in school where they are academic rivals. Whilst Cate is accepted into Oxford, Hannah ends up at her home university in Manchester where she meets the carelessly beautiful Lissa. Lissa’s mother is an artist, former teacher and activist. In raising her daughter she wished to instil an understanding that women can have lives outside the role of parenting.
The story opens in 2004 when the three friends are sharing a shabby townhouse in London. They are all single, enjoy good food and mediocre wine, attend small gigs and gallery openings, nurse hangovers with strong coffee. They are twenty-nine years old and believe they have time to become who they are going to be.
“They do not worry about nuclear war, or interest rates, or their fertility, or the welfare state, or aging parents, or student debt.”
“Life is still malleable and full of potential. The openings to the roads not taken have not yet sealed up.”
The timeline then jumps forward six years and much has changed. Hannah – married and financially successful – is undergoing her third round of IVF. Cate has moved out of London, to Canterbury where her in-laws live. She is struggling to cope with the exhaustion of caring for a six month old child who regularly interrupts her sleep. Lissa is auditioning for a role in a play that will enable her to leave her job in a call centre. Her longed for big break as an actress remains a dream.
Moving back and forth in time, snapshots are presented of key moments in the women’s lives: first meetings; holidays and wedding days; moments of conflict. A melancholy permeates the main, linear narrative. Each of the friends looks at what the others have achieved and compares their own life unfavourably.
“why should it matter what her friends are doing? Why should her happiness be indexed to theirs? But it is.”
Hopes and love, sharply focused on a particular wedding day, fade. The paths the women’s lives have taken are not what each believes they deserve. They try to swallow the bitterness they feel, to cope with their current reality. They turn to their friends but do not find the succour they crave, which leads to resentment.
The brief portrayals of the older generation throughout the story offer wider context and understanding. It is only in rare glimpses that any of the characters can see the others as they see themselves. Parents are blamed and also envied. There is a longing for the success that was expected.
The writing is subtly evocative in its depiction of life’s challenges. The author is skilled in her use of language. The structure and flow are well balanced, although the pervasive despondency at times felt oppressive. There is a raw honesty in how the three friends regard each other and the mistakes they make.
An interesting study of varied relationships and the difficulties encountered when individual needs are not understood, acknowledged and met. Although the protagonists’ lack of contentment at times felt dispiriting, this was a poignant and candid read.
My copy of this book was provided gratis by the publisher, Doubleday.