This review was written for and first published by Bookmunch.
The Canongate Myth Series is promoted as a series of short novels in which ancient myths from myriad cultures are reimagined and rewritten by contemporary authors. Its focus is intended to be international with writers from a variety of countries invited to participate. Lion’s Honey is the contribution from Man Booker International Prize winner David Grossman who is Israeli. Translated by Stuart Schoffman it promises ‘a provocative new take’ on the biblical story of Samson.
Unfortunately this is not a retelling of a myth but rather a study of the biblical text that strongly implies it is being read as a fact based historical account. There is much cross referencing with writing from the Torah and from Jewish academics. The author picks his way through the tale seeking proof of desired notions rather than as one aiming to enlighten with carefully detached reasoning.
The book opens with a reprinting of the story of Samson from The Authorised King James version of the bible: The Book of Judges, chapters 13-16. This makes for rather dry reading. A foreword then explains that ‘Samson the hero’ is what every Jewish child learns to call the protagonist, despite the fact he was a muscle bound murderer prone to lust and whoring who ended his life as perhaps the first recorded suicide killer. Grossman portrays him as an artist yearning for love. I struggled to agree with the arguments presented for this portrayal.
Key incidents in the story are dissected and debated. Where the author claims a sensuous side I saw attention seeking and licentiousness. Where he tries to depict women letting Samson down I observed how badly he treated them. Samson came across as petulant and bullying; a much desired child, perhaps over indulged by his parents, who subsequently used his immense strength to wreak destruction when he did not get his own way.
As an example, Samson decides he will marry a Philistine he is attracted to, not one of his own people. Despite their misgivings his parents agree to this plan. At the wedding Samson, in a show of one-upmanship, sets his guests an impossible riddle that results in bad feeling and a deadly threat made against his new in-laws. Naturally this upsets the bride. When she asks her husband for the solution to the riddle he berates her, stating he has not even told his parents. Thus her secondary importance in his life is made clear before the wedding celebrations are even complete. That she subsequently acts to save her family is hardly a surprise. Following this Samson shows how vicious he can be, killing strangers and burning the community’s newly harvested crops. The author writes of the hero’s yearning for love. Such barbarism is hardly conducive to a loving marital relationship.
Continuing on the theme of love and a desire for intimacy, questions are posed about why Samson visits a whore. This seemed naive – surely such reasons are obvious. The author sees confusion and emotional need in Samson’s interest in the Philistines. I saw natural curiosity in the world outside a narrow culture. That Samson kept encountering rejections speaks to me of his behaviour around others which, when detailed, is rarely worthy of esteem.
Of course, instead of trying to make sense of an historical figure one could read the story of Samson as a myth and allow that the more extreme events detailed are included to add colour and enhance the telling of the tale. Where this treatise falls short is the apparent seriousness with which the biblical text is being read and certain religious interpretations accepted.
Any Cop?: Lion’s Honey does not sit easily within a series of evocative story retelling. Even as a study I found it unconvincing.