Book Review: The Temple House Vanishing

“Lovers are selfish. Obsessed not really with their love, but with themselves. It was what I wanted that kept me happy and awake. It haunted me and the phantoms were seductive. And I forgot to notice things.”

Located in a once grand old house built by the sea, Temple House is a boarding school run by Catholic nuns that has educated daughters of the wealthy for generations. In September 1990, in a move to appear progressive, they accept a small number of scholarship pupils into the final years. Sixteen year old Louisa welcomes the opportunity this represents. Academically impressive but something of a misfit she regards the move from her ordinary school as a chance to reinvent herself – to be noticed as something more than the girl who dares to harbour ambition. Louisa’s parents are separating and she is ready to escape the home atmosphere this has created.

The Temple House Vanishing opens twenty-five years later. A journalist has been tasked with writing a series of articles for their newspaper about a pupil’s disappearance with her charismatic young art teacher, Edward Lavelle. Details are sparse and the police investigation has been put in abeyance. Those questioned at the time closed ranks and offered little that was helpful. There was an unwillingness to provide background information on attitudes and relationships within the school. The privileged value reputation and guarded their own fiercely.

Unfolding across these two timelines, the 1990 thread is told from Louisa’s point of view as she recalls her arrival at Temple House and the events that led up to the disappearance. The school is a rarified world – one filled with archaic rules, tribal animosity and elitist resentments. Louisa sets about creating her new persona and develops coping strategies for how she is treated, grounded by a burgeoning friendship with a fellow pupil, Victoria, who has a crush on Lavelle. She is not the only pupil who harbours such feelings.

In researching the case, the journalist tracks down those who knew the girls and their teacher, or who interviewed them in the aftermath of the disappearance. A picture emerges but remains two-dimensional. The journalist needs to uncover details that only those who were there can share. The reader knows from the prologue that they spoke to Victoria, who subsequently committed suicide.

The story is of Louisa’s life at the school and the journalist’s investigation. It is a slow burn written in a mostly detached voice but with intense and dark undercurrents. The pace picks up in the second half as true facets of character are revealed. It is a lesson in the false veneer of first impressions and the blinkers donned by selfish, albeit desperate, need.

In some ways this is a tragic tale of teenage desire and frustration yet the structure employed offers a deeper interpretation. The author skillfully reels the reader in to the pressure cooked world created. A recommended read that will linger long after the final page.

My copy of this book was provided gratis by the publisher, Corvus.


Book Review: The Devil’s Half Mile

The Devil’s Half Mile, by Paddy Hirsch, is a crime thriller set in a burgeoning New York in 1799. At this time there were few laws and fewer law enforcement employees. The city was managed by racqueteers who kept a fragile peace through violence and intimidation. A recent state ruling had resulted in the freeing of a large number of slaves who vied with the Irish community for whatever low paid work they could find. The racqueteers ran brothels, collected protection money and guarded their turf through a network of spies and thuggery. Those residents with capital tried to increase their holdings via investments and scams operating through the unregulated stock market which met in busy coffee shops around Wall Street – the devil’s half mile.

Into this powder keg of risk and resentment arrives our protagonist, Justy Flanagan, fresh out of university in Ireland where he learned the law, alongside more practical skills fighting English oppressors. Justy’s uncle, The Bull, is a feared overlord in New York who took the boy in following his father’s suicide. Justy no longer believes that his father took his own life. He suspects murder and has returned seeking justice and revenge.

Justy sails into New York aboard a ship on which his good friend and former comrade in arms, Lars Hokkanssen, is working. On arrival in port he meets an old friend from his childhood, Kerry O’Toole, who has turned to a life of crime. Justy feels a degree of guilt for leaving Kerry to cope while he sought to better himself. He refuses to blame her for what she has become.

Justy locates and questions his father’s old acquaintances to discover for himself who the partners were in the financial scheme blamed for his death. He is aided by Lars but is watched by those who wish to protect their secrets. Violence follows, the death count rises and ideals are compromised. Justy becomes embroiled in sickening plans.

The squalor and brutality of a fast growing settlement are well evoked. The resentments felt by those whose jobs are threatened by a sudden influx of new workers is familiar, as is the timeless greed of those eager to make money by whatever means, including feeding abhorrent appetites. Justy is something of a trope with his high mindedness, skills in killing and moral ambiguity. Threads are set up that suggest a possible sequel.

The author offers plenty of twists as the plot progresses along with an ongoing quandary over who can be trusted. There are rather too many crises and serious injuries fought through as Justy interacts with his enemies. The historical setting is of interest but as a crime thriller I struggled to maintain engagement. A violent story built on a plausible premise but not one for me.

My copy of this book was provided gratis by the publisher, Corvus.

Book Review: My Mother’s Secret

My Mother’s Secret, by Sanjida Kay, is the author’s third psychological thriller. It is told from three points of view and across two timelines, opening with the pivotal event from which the rest of the tale unfolds. Unusually for this genre it took several chapters before I was fully engaged. A lot of characters are introduced in a short space of time and I kept having to flick back to work out who was who. Once I had placed each alongside their contemporaries I was able to settle and enjoy the sequence of teasers and reveals.

There are good reasons why so many psychological thrillers become best sellers. They are engaging, easy to read and offer a puzzle to solve. This book is well paced, smoothly written and typically structured. The settings are brought to life becoming both comforting and threatening as the plot requires.

The earlier timeline involves Lizzie, a young wife and mother who leaves her family home – a remote cottage in the Lake District – for a few days each week to work in Leeds. Here she gets caught up in a violent crime that changes her life. The chapters telling her story explain the before and after of this incident, what she must do to survive and protect those she loves.

The later timeline is narrated by Emma and her fourteen year old daughter, Stella. Emma is neurotic, her instability manifesting in overprotecting her two children. Stella is starting to rebel against the restrictions imposed due to her mother’s condition and her father’s complicity. It is notable that both Stella and her younger sister, Ava, display their own anxieties, likely instilled by the manner in which they are required to live under the guise of keeping them safe.

Emma works at a bakery and there are many descriptions of food, not something I have an interest in but likely to appeal to certain readers. Her husband, Jack, attempts to impose his healthy eating ideas on his family. He has provided them with a lavish home and likes to keep it and its residents in a manner that suits his ideas of beauty and order. This is a loving family but one that relies on a strict code of parental control.

Much of the story is set in and around Long Ashton on the outskirts of Bristol. The descriptions of place are rich – aesthetics are held in high regard.

Emma’s story begins with a chance encounter with a man from her past. She arranges to meet him at Tyntesfield, a National Trust property near to where she lives. Stella notices a change in her mother and decides to investigate. What she discovers threatens their carefully cultivated stability. Alongside this, Stella enters into a relationship with a boy at school. She and her mother try to guard their secrets, not easy in a family used to strictly monitoring all activities.

Despite correctly guessing the various reveals in advance, this was an enjoyable read. That is not to say I didn’t have a few quibbles – such as the dual mention of the Moorside power plant, which seemed unnecessary, and the changes in wording when the prologue is retold. These are small details though in what is a well crafted addition to a popular genre. Fans of domestic noir will likely enjoy.

My copy of this book was provided gratis by the publisher, Corvus.

Interview with Sanjida Kay #TheStolenChild

Today I am delighted to welcome back to my blog, Sanjida Kay, who is celebrating the publication of her second psychological thriller, The Stolen Child. You may read my review of this deliciously chilling story here. Sanjida kindly agreed to answer some questions which I put together as I read the book. I hope you find her answers as interesting as I did.

1. Publicity for books these days takes many forms. I enjoyed watching the book trailer (see below) and the interview you posted on YouTube about the inspirations for the book (also included below). I know that, amongst your many roles, you have worked in broadcasting. Was it your choice to use these media to promote your book?

Thank you so much for having me back to your blog, Jackie! I’m glad you liked them! I’ve spent years working as a TV director and presenter, so it’s fun to be able to use those skills, particularly in something as creative as a book trailer. Cameraman, Rob Franklin, shot one of my BBC documentaries, and contacted me recently to ask if we could work on a book-related project. Not only did he do an amazing job filming the trailer and the Q&A, he enlisted the help of a drone pilot, Jack Stevenson, who shot some incredible footage of Evie when she’s lost on the moor, wearing only her Frozen dress.

2. I love the jacket design for The Stolen Child and this is brought to life in your book trailer. Did you have any say in the picture used?

It was a shock when I had my first novel published at the age of 25, to discover that authors have NO say in their book covers. I’m so fortunate to be published by Corvus Books, though, as I’ve loved both the book jacket for Bone by Bone, my first thriller, as well as the second one for The Stolen Child. I think their design has perfectly captured the colour, the wildness and the desolation of the West Yorkshire moors.

3. The undercurrent of unease that pervades the story had me suspecting just about every character introduced. Did you know how each their roles would play out when you started writing them?

I had a brilliant brainstorming session with crime writer, Sarah Hilary, when I first came up with the idea for The Stolen Child. She suggested I make a number of characters sound suspicious and I’m glad I did. When I began writing, I knew who would be a suspect, and how, to a certain extent, but I hope I’ve managed to push that sense of distrust all the way through.

4. One of the themes in the book is trust and how fragile it is under pressure. With your imagination, do you ever catch yourself pondering the secrets your acquaintances may hold?

I suppose it’s no great surprise that my PhD was on Theory of Mind, which is essentially how we know what other people are thinking. Apparently, most of us can cope with up to six levels of ‘intentionality’, which could go something like this:

Does she know that I know that I think she’s wondering who else knows what she knows about what her sister believes is her half- sister’s secret?!

So, yes! Bone by Bone and The Stolen Child tap the commonly perceived threat in dark, lonely locations.

5. Has writing such disturbing stories affected the way you react to, for example, looking outside when alone in your house at night with your daughter, or walking in isolated locations?

Like many women, I will often choose not to walk home at night or to go for a run in isolated places because of the potential danger. I feel a lot safer in the countryside than I do in the city, though. But I don’t suppose watching seven seasons of The Walking Dead has helped my anxiety levels!

6. Your protagonist in The Stolen Child is an artist. Have you ever tried your hand at painting?

I took an A level in art, but I didn’t carry on painting for long after that. I’d love to have the time to return to it at some point. Luckily, I’m friends with a brilliant artist, Elaine Jones, and I grilled her on how she paints, as well as how she manages to juggle being an artist, with bringing up two small children.

7. And finally, you mentioned you brainstorming session with Sarah Hilary and thank her in the book’s acknowledgements. Does hanging out with other authors of dark, twisty thrillers affect the way you think?

Bristol is a brilliant place to live if you’re a novelist: it’s full of talented thriller writers, such as CL Taylor, Jane Shemilt and Gilly Macmillan – and Sarah is nearby, in Bath. It’s certainly refreshing to be able to meet up now and again and have an in-depth chat about writing with people who understand what you’re going through and can cheer you along the way. We’re all quite normal on the surface.

Thank you so much Sanjida, I love the hint of suspicion you have left us with there!

Now, doesn’t the book look fabulous?

The Stolen Child is published by Corvus Books and is available to buy now.


Book Review: The Stolen Child

The Stolen Child, by Sanjida Kay, is the author’s second psychological thriller. Much as I enjoyed her first, Bone by Bone (which I review here), in this latest work she has upped her game. An underlying darkness pervades every page. I needed to know what happened next but at times had to pause, so acute was the tension.

The protagonist is Zoe Morley, an artist and mother of two. Seven year old Evie was adopted as a baby; two year old Ben was a delightful surprise for a couple who had given up hope of birthing a healthy child themselves. Zoe’s husband, Ollie, is a hard working accountant. The long hours he puts in at the office in order to provide for his family are resented by Zoe who struggles with the demands of parenting alongside her desire to further her artistic career. She feels that Ollie does not take her work seriously as it yields little additional income for the family’s material needs.

When Zoe discovers that Evie has received cards and presents from someone claiming to be her real daddy she is concerned and aggrieved that Ollie will not offer her the comfort and support she craves. He is angry but does not share her feelings that their position in their daughter’s life is threatened.

Zoe’s attention is fragmented between her work, a demanding toddler, and a daughter who is starting to question her place in their family unit. Zoe is also dealing with the distraction of another artist, a sculptor named Harris, who pays her flattering attention and supports her work.

In the small town where they live Zoe has plenty of options for childcare. Evie and Ben are regularly looked after by professionals, friends and babysitters, giving Zoe time to walk the moors for inspiration and then to paint. She trusts these people with her children, until her world is turned upside down and inside out when Evie disappears. Suddenly everyone she knows, including Ollie, is under suspicion.

As the police investigate, personal secrets threaten to derail trusted relationships. Zoe’s devastation at her loss is compounded by feelings of guilt and anger at her husband for not being more present. As days pass and progress appears to stall in the search for her daughter, she takes matters into her own hands.

The writing is taut and visceral. I did not warm to Zoe but empathised fully with her pain. The events related tear many lives apart, not least the children’s. Trust is shown to be such a fragile thing.

This is an emotive and disturbing tale presented with compassion and skill. A thriller with soul and depth that I recommend you read.

My copy of this book was provided gratis by the publisher, Corvus.

Author Interview: Sanjida Kay

Launch of Bone By Bone by Sanjida Kay, Waterstones, The Galleries, Bristol. ©Barbara Evripidou2016; m: 07879443963;

Image ©Barbara Evripidou 2016

Having read her debut psychological thriller, Bone by Bone, I was delighted when Sanjida suggested we meet for coffee in Waterstones, Bath, earlier this year. I thoroughly enjoyed our chat and tentatively enquired if she would be willing to be interviewed for my blog. We agreed to make this happen around the time of the paperback publication this month.

In preparation I bought a couple of her previous works and read other interviews she has given. I hope that the questions I have asked offer some insight into the thinking behind the writing of a very intelligent and personable author, who I hope to have the opportunity to meet up with again.


The central theme of Bone by Bone is childhood bullying. You have admitted that you were bullied as a child at many of the schools you attended. Did your parents ever try to get involved?

First, let me say how lovely it was to meet you in person, not just virtually! Thank you for having me on your blog. Youre right – I went to ten different schools and I was bullied at nine of them. I hated school! My parents didnt get involved, and at quite a young age, I stopped telling them about it. My cousins husband was a police officer, and one time, when he was over from Ireland, he had a wordwith some boys who used to throw bottles at me on the way to school. Thankfully times have changed: parents are more willing to speak up and bullying is far less tolerated. I think the key message for children today is to tell a trusted adult. Bullying, no matter how embarrassed or ashamed you might feel about it, is not acceptable. Its far more likely to stop if you get help.

You have spoken publicly of identity, how it is formed and how it changes as you grow. How has your experience of being bullied affected what you have become?

I recently gave the keynote speech at Sidcot Quaker Schools first Peace Festival, which focused on the nature of identity. Many young people dont know who they are yet (probably something we all struggle with a bit!). I feel that identity is partly formed by who you love and who loves you – your family and friends – as well as your culture and environment. But it does change and you can shape your own identity yourself. I love this quote by Dr Seuss, the well-known author of books like, The Cat in the Hat:

“Be who you are and say what you feel because those who mind don’t matter and those who matter don’t mind.”

I dont believe that bullying makes you a stronger individual in the end. It is psychologically damaging. Being bullied changed me for the worse and for years affected my relationships, particularly with men. I always chose the wrong guy! But then I had a couple of years of therapy, and now Im married to a kind, gentle, strong person.

For Bone by Bone you changed your author name. What prompted this?

My previous books are more literary and the last two are also historical. My publishers asked me to change my name to separate those novels and my non-fiction books from my thrillers (the next one, The Stolen Child, is due out in spring 2017). They wanted me to keep my first name, though and since there arent many British novelists called Sanjida, its relatively easy to work out who I really am!

You are a science writer who presents and directed science and wildlife documentaries for the BBC. Your previous books included a great deal of scientific content. Was it an active choice to tone down the science when writing Bone by Bone?

Im fascinated by science, particularly the natural world. My first degree is in zoology and my second was a PhD on chimpanzees. The main character in three of my previous novels is a scientist. But I chose not to have a science theme running through my thrillers, mainly to make them more accessible. Thats not to say that I wont return to science at some point or that science cant be exciting or mainstream. Even in Bone by Bone bits are inspired by my background and love of nature – Lauras mum, for instance, is an anthropologist based in Namibia, and that came out of field work I carried out on baboons!

You have set the book close to where you live, painting the nature reserve in particular as oozing menace. Do you feel safe when, for instance, out running in your neighbourhood?

Thats good, thats what I was aiming for! The urban nature reserve near where I live feels like a lovely oasis to me but I do feel unsafe running in the city, particularly when its dark. What frightens me are out of control dogs and dangerous humans.

In Bone by Bone, Autumn and her mother have recently moved cities and are still trying to settle. You were moved around a great deal as a child. Do you look back on this as a positive experience or would you have preferred more stability?

Ive reacted against being moved around so much as a child by desperately searching for somewhere to put down roots! Ive lived in or near Bristol almost my entire adult life. But I have itchy feet. Im always planning to move house (maybe I could go to LA? Or Cornwall?) or thinking of my next holiday!

And finally, you are donating a percentage of your profits from Bone by Bone to the charity Kidscape, which works to promote the anti-bullying message and shine a spotlight on child protection issues. What made you choose that particular anti-bullying charity to support?

Some of the other charities around support adults who are bullied too, and whilst thats worthy, I wanted a percentage of any money Bone by Bone makes, to go directly towards helping children. I approached Kidscape because I like their ethos: the charity seems to me very much about empowering young people and giving them concrete tools and the support they need.


My thanks to Sanjida for answering these questions. I eagerly await the chance to read ‘The Stolen Child’ in 2017.


‘Bone by Bone’ is published by Corvus and is now available in paperback. You may read my review here.

Book Review: Bone by Bone


Bone by Bone, by Sanjida Kay, is a skillfully written exploration of the insidious damage caused by bullying. It is a tense and somewhat bleak tale with its portrayal of the helplessness and isolation of the protagonist, and the difficulty of protecting a child within the constraints of the law.

Laura, a recently divorced single mother, has moved to Bristol with her nine year old daughter, Autumn. Both are missing their friends from London. Laura chose their house based on its proximity to a well regarded school and its size as she wishes to establish her own business. Unbeknown to her, Autumn finds the creaks of the old place frightening and dislikes having a bedroom so far away from her mother’s.

At school Autumn is just starting to make a few friends when an older boy takes notice of her, mocking her name and insulting her looks. When her drawer is filled with slugs she tells her teacher that he is to blame, an accusation that is dismissed as implausible. When Laura finds out she promises her daughter that it will be sorted, a promise that cannot be kept.

As any parent will know, schools have many discontented parents to deal with and cannot police the behaviour of every child all of the time. Laura sees how unhappy her daughter has become and is determined to help. Her attempts to do so escalate the problem. The boy is spoken to and he takes out his anger at this on Autumn. When Laura comes across a group of his friends surrounding her daughter she loses her temper.

The law rightly protects children but knowledge of this gives the savvy power. With the explosion of mass internet usage, a medium which many do not yet comprehend, there is also scope for cyber bullying. Laura’s priority is to protect her child but Autumn understands that each time her mother acts the situation worsens. She believes the cruel taunts and blames herself.

The story is told from both Laura’s and Autumn’s points of view. It is frustrating to read as it is so plausible. The author has done a stirling job in dragging the reader inside the minds of all involved. The alpha mummies close ranks, the gossips are fed, the children follow the herd. Malevolence oozes from each page.

The denouement is tense and terrifying. Laura feels driven to consider ever more extreme measures. Her desperation is palpable.

A tightly written thriller that gets to the heart of issues too many must face. An accomplished debut and a haunting read.

My copy of this book was provided gratis by the publisher, Corvus.

Book Review: A Better Man


A Better Man, by Leah McLaren, is a story about a couple who have drifted apart after the birth of their twins. From being two highly paid professionals who devote the majority of their non working hours to each other, they have become virtual strangers who just happen to live under the same roof. There are insights which any parent of a young child can relate to, although it is written in an unchallenging way which will not appeal to all. This is easy reading but with added humour and poignancy.

Maya Wakefield is a stay at home mum with a nanny to help her care for her toddler twins and their comfortable home. Unlike any nanny I have known, Velma is willing to act as cook, cleaner and counsellor as well as providing childcare. Maya also has a therapist and a personal trainer, an expensive hair stylist and a wardrobe of immaculate clothes. None of it makes her happy.

As Maya worries over the exact ingredients of the foods her children ingest, continues to breastfeed and share a bed with her offspring – an arrangement which has driven her husband to sleep in another room – she nurses a dull awareness that even when he is there in body, his mind is elsewhere. She knows that he has stopped loving her. Maya gave up a successful career as a family lawyer to care for her children and now devotes the energy and attention to detail that her job demanded, to raising them in the way that her parenting books and magazines instruct.

Maya’s husband Nick feels incompetent around his children and irrelevant to his wife. As the co-owner of a successful advertising agency he works long hours and is admired by his staff. He flirts with many of the young women and questions why he should not allow himself to take things further. He is unsure how his marriage went so badly wrong but he has had enough; he wants a divorce.

The problem is that a divorce is going to cost him all of the lovely things that he has worked so hard to acquire. Despite recognising that they are mere baubles he is unwilling to give them up. His wife is their children’s primary carer so would get the family home, and he would be required to keep her in the manner to which she has become accustomed.

I found this quite hard to believe. The children have a nanny so there seemed little reason why Maya wouldn’t have been expected to return to work if Nick and she divorced. She has an impressive career track record and has not been out of work for so very long. However, the legal advice that Nick is given is that if he wishes to minimise his financial liabilities then he needs to become a better husband. He needs to help Maya with the children and encourage her to return to work. He also needs to make her like him again, that the divorce may have a better chance of proceeding amicably.

The main plot looks at how Nick goes about enacting this plan, and then how Maya finds out what he is up to and reacts. There are few surprises but it is nicely written with a pleasing flow. In many ways Nick does Maya a favour by snapping her out of her obsessive perfection parenting. Given the way she is presented to the reader I was rather surprised by just how far in the other direction she went.

I prefer a little more depth to characters, but do not wish to pick holes when I suspect that this was never intended to be that kind of book. This is a nicely constructed and effortless read.

My copy of this book was provided gratis by the Curtis Brown Book Group.