This review was written for and first published by Bookmunch.
I first came across Ordinary People at a book festival event where the author was one of the speakers on a panel. Here I learned that the story is centred in South London, near Crystal Palace, and is about two couples with children as they experience relationship crises. This didn’t sound like a book for me. Then it was longlisted for the Women’s Prize for Fiction alongside several other novels I have recently read and enjoyed. I decided to set aside my preconceptions and give it a go.
It is a book in two halves. I quickly became absorbed in the lives of the lead couple, Melissa and Michael. The role of the second couple, Damian and Stephanie, is significant to the plot but plays a more supporting role. The writing brought to mind a contemporary Jane Austin and I was duly impressed. It is an engrossing story offering understated insights into the ordinary issues and frustrations of family life. These are presented unvarnished but with a degree of sympathy. There is an added dash of humour to soften any darkness explored.
We are introduced to M&M (as a friend refers to them) at a party to celebrate Obama’s election. This is hosted by two brothers who used to live in North London but moved south as they
“were conscious of their privilege and wanted to be seen as having survived it spiritually”
Their guest list featured
“all the important, successful and beautiful people they knew […] less eminent guests were chosen on a sliding scale according to rank, connections, looks and personality”
Melissa and Michael are also moving – from their small flat to a house south of the river. They want a garden for their children to play in. Financial constraints lead to compromises so their new abode is far from ideal. The area suffers regular knife crime. The house is old and Melissa soon begins to sense malevolence.
Before this becomes a key issue there are growing problems in the M&M relationship. Melissa feels that her essence is being suffocated by the demands of motherhood and takes out her frustrations on Michael. He in turn is saddened that his beautiful and vital young partner has turned into this disdainful and inattentive shrew who is no longer interested in him sexually, an important aspect of their affinity in his view.
Melissa misses the professional working environment – although we later learn she is harbouring rose tinted memories – and rails against the mundane requirements of the daily care of small children. She feels guilt at her boredom and at how easily she falls into the competitive conversations typical amongst groups of mothers at the places she goes to escape the confines of her home. When Michael returns from work each evening he is berated for not doing more to ease Melissa’s burden. Pointing out that he has to work to support them fuels her anger.
All this is portrayed in: bus journeys, visits to a park and soft play emporiums, meetings between friends. These friends include Damian and Stephanie who we are introduced to at their home in Dorking. Unlike Melissa, Stephanie adores motherhood and would be content were it not for her husband’s perceived obdurateness. Damian resents that they moved out of London – he misses the buzz of the city. His father died recently and this has affected him more than he realises. Added to this he harbours hidden feelings for Melissa.
There is an amusing scene when Stephanie’s parents attend one of their “monthly in-lawed roasts”. Stephanie’s father offers passive aggressive advice, making clear that Damian is not good enough for his princess. Although Stephanie defends him, Damian silently agrees.
“had he really fallen in love at all? Was it just that she had made him feel adequate and dynamic, that she was focused and forthright in her plans for her life when he was not”
At around halfway through the book I realised that the perceptive, amusing and dynamic pace had slowed and my interest was waning. When the pace picked up again the tone felt more soap opera than penetrative. There are arguments and foolish reactions. The couples splinter and reconcile. It is smoothly written but lacking the verve of the earlier portrayal.
A group holiday adds interest before the focus returns to London and Melissa’s growing fears centred on her house – the effect she is convinced it is having on her daughter. Michael is struggling to reconcile the woman Melissa has become with the woman he fell in love with.
The denouement is neatly achieved but I finished the book feeling underwhelmed. The initial potential – that elegant capturing of the nuances of modern coupledom, of parenting in the 21st century – was not sustained.
Throughout the story there are references to music that I could not appreciate as I knew few of the artists and do not listen to those whose names I recognised. I am guessing that this will appeal more to readers whose age better fits the protagonists (late thirties). The author has created a playlist for those interested.
Near the end of the narrative Michael Jackson dies. This bookending with celebration and then grief over well known people of colour fits with one of the themes explored – the differences in lived experience of the dark and light skinned British from the professional classes.
Any Cop?: I’m not going to condemn what is a well constructed and generally satisfactory read. The first half exceeded my expectations and made me glad to have picked up the book. The second half denied it the status of modern classic.