As part of my feature on the Republic of Consciousness Prize for Small Presses I invited publishers and authors whose books were selected for the longlist to answer a few questions or write a guest post for my blog. Today I am delighted to welcome Isabel Waidner, author of Gaudy Bauble, which is published by Dostoyevsky Wannabe.
1. Can you tell my readers a little about yourself and your background?
The name’s Isabel Waidner. Writer, queer. Working-class, EU migrant. Currently lecturer in creative writing at Roehampton University in London, with specialisms in avant-garde literature, cultural studies, gender studies and embodiment. Ex-musician (lastly with the indie band Klang, records out on Rough Trade and Blast First).
2. Can you tell us about Gaudy Bauble?
Gaudy Bauble (Dostoyevsky Wannabe, 2017) is riot of all things marginalised (LGBTQI, BAME, working-class, also the nonhuman, the not-just human). It is designed as an intervention against the normativity of literary publishing contexts in the UK, and the growing conservativism and nationalism in Tory Britain and beyond. The narrative is set within a London-based queer subculture, the near future (201x). It builds around a fake detective story. It’s just, the detectives don’t detect anything. Instead, they appear to effect an out-of-control insurgence of disenfranchised things, unheard(-of) things. Gaudy Bauble ask what might become possible if the marginalised (the riff-raff) were running the show, and I promise they are making a difference.
3. What inspired the book?
The project to develop more progressive, innovative and diverse forms of literature which are missing entirely from the existing UK literary canon. To be part of a transformational literary community and subculture contributing towards a progressive and inclusive politics in the UK. The project to effect social change. Also, the work of writers, performers, artists, academics and activists including Mojisola Adebayo, David Hoyle, Lisa Blackman, Charlotte Prodger, Ego Ahaiwe-Sowinski, Irene Revell and Campbell X, pioneers like Derek Jarman and Brigid Brophy, and US writers like Dodie Bellamy, Kevin Killian, CA Conrad and Jess Arndt, to name just a very very few.
4. George RR Martin has said there are two types of writers – the architect, who plans everything in advance, and the gardener, who plants an idea and allows it to develop organically. Which are you?
I’m not an ideas writer (or rather, I rely on having several ideas within the space of one sentence). But neither do I pre-plan. My ideas around pre-planning are much in keeping with those developed by Lucy Suchman’s in her monograph, Plans and Situated Actions (1987). Here, Suchman analyses human interactions with a Xerox photocopier in order to argue that our conventional understanding of preplanning as the straightforward execution of a preset plan, does not take into account what she terms the situatedness of all human behaviour, a sort of improvised responsiveness that is part of our actions and practices including writing.
5. What is your favourite part of being a writer?
Everything. I love being a writer, it’s my dream.
6. Do you seek out reviews of your books?
Yes of course.
7. What do you do when you wish to treat yourself?
8. What books have you read and enjoyed recently?
- Jess Arndt’s collection Large Animals
- Jay Bernard’s The Red and Yellow Nothing
- Joanna Walsh’s Seed and Worlds from the Word’s End
- Rosie Snajdr’s forthcoming A Hypocritical Reader
- Richard Brammer’s The End of History
- Dodie Bellamy & Kevin Killian’s (ed.) Writers Who Love Too Much: New Narrative Writing 1977-1997
- Andrea Lawlor’s Paul Takes the Shape of a Mortal Girl
- Eley Williams’s Attrib
- Jeff Hilson’s Latanoprost Variations
- Eileen Myles’s Afterglow: A Dog Memoir
- R. Zamora Linmark’s Rolling the R’s
- Huw Lemmey’s Chubz: The Demonization of My Working Arse
- performance artist Scottee’s screenplay Bravado
- Tommy Pico’s Nature Poem.
I also liked Dead Ink Books’ collection Know Your Plays: Essays on the Working Class by the Working Class, notably Abondance Matanda’s contribution.
9. Who would you like to sit down to dinner with, real or from fiction?
ALL OF THE INSPIRATIONAL AND ADVENTUROUS WRITERS AND PUBLISHERS AND READERS, ALL REAL.
10. What question has no interviewer asked that you wish they would?
What do you most look forward to in your entire life? The publication of a book I’ve just finished editing, called Liberating the Canon: An Anthology of Innovative Literature (out in February 2018 with Dostoyevsky Wannabe). The book might be interesting to your readers and anyone interested in the interdependency of independent publishing and innovation in literature. It features some of the UK’s most innovative writers including Mojisola Adebayo, Jess Arndt (US), Jay Bernard, Richard Brammer, Victoria Brown, SJ Fowler, Juliet Jacques, Sara Jaffe (US), Roz Kaveney, R. Zamora Linmark (US), Mira Mattar, Seabright D.Mortimer, Nat Raha, Nisha Ramayya, Rosie Snajdr, Timothy Thornton, Isabel Waidner, Joanna Walsh and Eley Williams.
Thank you Isabel for providing such interesting answers to my questions. You may follow Isabel on Twitter:
Click on the book cover above to find out more about Gaudy Bauble.
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