Many years after first reading it, ‘The Night Circus’ remains my favourite book of all time. It’s a gorgeous feat of imagination, packed with evocative imagery and characters you have to love. Like the circus itself, this is less a book than an experience – it eschews traditional narrative structure, instead weaving a tapestry that engulfs the senses and lingers long beyond the final page.
“You may tell a tale that takes up residence in someone’s soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows that they might do because of it, because of your words. That is your role, your gift.”
The story spans the late 1800s and early 1900s. Across the world, a mysterious circus keeps arriving – preceded by no announcements, and only open at night. Named ‘Les Cirque des Reves’ – the circus of dreams – it’s a circus like no other: a feast for the senses, an amalgamation of experiences which border on the fantastical, and all in black and white and shades of grey. But behind the scenes, the circus is not merely a circus: it is a battlefield. Two young magicians, Marco and Celia, have been pitted against each other as part of a rivalry spanning centuries. However, as their rivalry turns to love, the fate of the entire circus is put in jeopardy. Will the circus remain the circus of dreams, or will it unravel into the circus of nightmares?
Celia is a brilliant character. Aged five, she’s sent to her father – the famous magician Prospero the Enchanter – with her mother’s suicide note pinned to her coat. Prospero has no interest in a daughter – but Celia has inherited her father’s magic, and he sees an opportunity. Prospero grooms Celia to be the next player in a battle he has waged with a rival for centuries. As a result, Celia has a very different childhood to most, and becomes a very different woman. She’s quietly intelligent, using words sparingly but with an unerring ability to pick the right ones. She’s always composed – beautifully put together and fully in control of her emotions – and survives only by keeping complete control. Her entire life’s purpose is the game – the circus – and thus she’s always innovating, seeking out new ways to be the best. Secretly, Celia loves to entertain and show off – but she maintains decorum, only stepping beyond her bounds in a limited way she hopes she can get away with. Anyone who has ever felt trapped will relate to Celia and her story.
Marco, on the other hand, is plucked out of an orphanage to be Celia’s opponent. He’s naturally reserved – an introvert, happy to spend his time surrounded by books and accounts. The life he has is better than any life he could have expected, so he’s content to do as he’s told – until it starts to get in the way of his heart. Celia is a firecracker wrapped in layers of decorum; Marco is more a gentle fire on a winter’s night, but even a small fire can become ablaze with the right kindling. Their chemistry is electric – every scene they are together is charged and poignant, and even apart their connection shines through every page. ‘The Night Circus’ is many things, but at it’s heart it’s a love story.
The writing is the highlight of the novel. Erin’s prose is rich and evocative, conjuring up incredible imagery that hits every sense. The reader doesn’t simply read about the circus – they’re transported to it, traveling between the tents and spying on the characters through gaps in the canvas. The scenes are painted with exquisite attention to detail, and the characters are crafted in the same way – each feels fully fleshed-out and real. This is the sort of book that makes the reader believe in magic.
“Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story?”
‘The Night Circus’ isn’t a book that will appeal to everyone, and the main reason for that is the narrative structure. Rather than tell a story in any conventional way, it jumps across time and space, crafting the tale far more slowly. It requires patience for the payoff, trusting that all will make sense in the end. Interspersed throughout the narrative are scenes which simply invite the reader to experience the circus – descriptions of tents, interludes of other experiences the circus has to offer. The reader is made as much a part of the story as any other character. The way the tale is told makes the plot almost unimportant. Those who like action and drama will find little to enjoy here – but for those who want to be swept away into a world that’s almost like a dream, there’s no better example.
Overall, ‘The Night Circus’ is a gorgeous example of literary fantasy, blurring the lines of poetry and prose to produce something so beautiful it’s hard to believe it’s only made up of words. Recommended for fans of beautiful writing, timeless romance, and anyone who dreams for a little more magic in the world.
“You think, as you walk away from Les Cirque des Reves and into the creeping dawn, that you felt more awake within the confines of the circus. You are no longer quite certain which side of the fence is the dream.”
Published by Vintage
Hardback: September 15th 2011
Paperback: May 24th 2021