Book Review: Where?

Where? by Simon Moreton is a moving tribute to the author’s late father who died in 2017. It is a hybrid of: memoir, local history, art – inspired by the question, where are you from? The book is beautifully produced and provides a fascinating insight into the impact surroundings have on shaping what a person becomes. It is a reminder that places are constantly changing, that time moves inexorably on.

“In my unfocused arbitrary melancholy I raged at the loss of that place, of a building, a function. Is that how the horrific pledge to ‘the good old days’ is made? To plant my flag, while ignoring the irony of having grown up five hundred feet away, in a house built upon layers and layers of other people’s memories, angry that someone else was now doing the same to me?”

In 1987, Moreton’s father took a job as an engineer, working at a radar station serving the Civil Aviation Authority. Situated on the embankments of an Iron Age hill fort, on Titterstone Clee in Shropshire, the view from the top in fine weather was ‘so pastoral that Tolkien was alleged to have written about it and called it the Shire.’ Weather was, however, unpredictable with squalls and sudden temperature drops providing memorable challenges for staff and tourists.

The family moved from their former home in suburban Surrey to a new-build house on a small estate in Caynham, three miles from the radar station and adjacent to a then derelict stately home. The locale was rural and quiet, steeped in lore and shaped by past lives and industry. The author revisits key locations, taking the reader on a walk through centuries of past residents’ known experiences and legacies – the marks they left on the area. As a child this was his playground, a place for adventures with his older brother and friends.

“Memories of these woods – pond-dipping, mud-running, grave-visiting, absurdly bucolic pictures – form the scaffolding of my childhood identity. We were a family as any other, thoroughly unaware that the place was a human-made landscape, oblivious to the history of wealth, power, privilege and tragedy to which it was witness.”

The stories are wrapped around the bones of Moreton’s father’s illness – diagnosis, progression and then death within a matter of weeks. As the scattered family come together to keep vigil, the author muses on elements of their personal history. They moved frequently, as did he after leaving home for university. He describes certain aspects of the seventeen years that followed this quest for independence with refreshing honesty – a young man unsure and frequently messing up – and a nod to the unreliability of memory.

“I don’t know what I want. Or rather, I do, but I have neither the experiential common sense nor the emotional vocabulary to work out how to articulate it, let alone go about getting it.”

“he speaks to me about making hard decisions, and being happy, and doing what was right for me. I don’t think he even means the school work or my decisions about university; I think he means for me to stop fighting myself, and make the changes I need to make, for myself.”

The family grief at the impending death is tempered for the reader by historic stories shared – tales of others’ lives and tragedies spanning centuries. Readers are immersed in the Shropshire hills as they too keep vigil. The monochrome artwork accompanying the many accounts and recollections is as poignant and expressive as the engaging prose, photographs and clippings.

   

A fascinating and moving tribute to an ordinary family man whose legacy lives on through his impact on those he predeceased. A comforting reminder that, despite individual transience, the ripples we make can provide comfort in memory – stories to share and pass on, as the author has done here.

“it’s no surprise that during the period of his illness thoughts about growing up, of how our family came to be and where we were from bubbled up as we sought in trauma and in grief to find common narratives to our diverging life-courses, things that would keep us connected with him and each other.”

My copy of this book was provided gratis by the publisher, Little Toller Books.

Book Review: The Heeding

The Heeding is a poignant and powerful poetry collection written by Rob Cowen and stunningly illustrated by Nick Hayes. It reflects on the year following the first COVID19 lockdown and will serve in the time to come as a reminder of when the world changed profoundly – how we lived lives altered in previously unimaginable ways. The poems capture the concerns and frustrations of families required to deal with the challenges of: house arrest, homeschooling, a ban on visiting their cared for elderly. It provides an evocative reminder that nobody will live forever.

“They are staring into a child’s eyes, wondering at the storm that’s coming.
How they might put themselves between what they love and everything”

The author is father to young children and his worries centre on them. He reflects on his own childhood and the lessons learned and valued from his parents and grandparents – often appreciated only in hindsight. He was taught to heed what was around him, particularly in nature. He now wishes to pass this valuable skill on to the next generation.

The poems have a depth that belies the ease with which they may be read. Incidents recounted are often everyday yet have an impact, a value, in the connections they engender.

Solidarity on a Saturday Night is a short poem about neighbours lighting up their backyards and somehow feeling together without the need to meet. This Allotment reflects on a humanity that is possible when people are accepting of difference in looks or creed – willing to offer practical advice and their labour along with excess produce.

“When heart-sore, I often wonder if this place is
secretly a model for what should be; how things could be,
were we not so preoccupied with property”

Last Breaths took my breath away, moving me to tears. It is a heartfelt account of a man in a nursing home, dying alone of this terrible plague. He remembers aspects of his life: war, a beloved wife outlived, a daughter who died in childhood, another now banned from seeing him – to keep him safe! The illustration that goes with this poem is perfect, as are so many here. The words brought home to me, perhaps for the first time, how my own father passed away last year – hand held by a nurse in PPE.

Another particularly poignant poem is Dennis, a man taunted relentlessly by local children whose casual cruelty makes their older selves squirm. The reason for his odd tics and behaviour is heartrending.

There are poems that describe encounters with birds and other creatures along with the Yorkshire landscape where the author lives. Nature is depicted as savage as well as beautiful, teeming with life but also death. There are reflections on more human concerns – failing businesses, history, politics, fearful unease.

“These cancelled birthdays.
These bans on being together.
These redundancies, uncertainties,
limits on impulse and joy,
on movement and autonomy.”

Black Ant highlights how we may try to save a tiny creature in difficulties, but will not tolerate those that threaten the structure or safety of our dwelling and family.

Pharmacy Cake brings home the loneliness of lockdown life for the elderly it was sold as designed to protect.

“This braving of sleet and virus;
this coddling of staff, is a way to treat a pain
more mangling, more unbelievably sore
than any of us are collecting prescriptions for.”

Viking Gold is a wonderfully evocative remembrance of a stern grandmother who, in the end, offered the author a window into all she had kept in check throughout her life, just before ‘her mind unspooled towards infancy.’

“Born of bleak moor and indoctrinated patriarchy;
the dark, meagre modesties of mill town terraces.
Be grateful for the least. Repent, repress
the sin of boastful joy; let your worries be endless
lest God give you, with a clout,
something proper to worry about.”

Lockdown, with all the mental baggage it has created, has certainly given the author much to worry about. He is scathing in his opinion of those who do not take the vaccine, especially those who spread fear about side-effects, branding them murderers. I pondered how many were living with such concerns and if this will change how they interact once guidelines are lifted.

Whatever views one ascribes to on this, the collection offers much to consider along with an appreciation of the natural world that continues to turn through the seasons however man is living within. I found this thought uplifting, that we too may choose to go on, perhaps still at risk but not allowing this to rob us of the joys to be found both in our back yards and beyond.

“Be kind. Forgive. Attend and heed.
Be strong, but lead with love not power.
Look for the universe inside the seed”

My copy of this book was provided gratis by the publisher, Elliott & Thompson.

Book Review: What Willow Says

“you don’t need ears to hear the trees, you only need to listen”

What Willow Says, by Lynn Buckle, tells the story of an artist grandmother and her hearing impaired granddaughter as they learn to communicate, aided by a mutual appreciation of nature. The granddaughter can lip read and grows increasingly adept at using sign language. The grandmother is doing her best to learn this latter skill. Their conversations mostly rely on a more primal understanding, on observation and resonance.

The story opens during a hot spell in summer. The girl wishes to play with other children in the neighbourhood. Some accept her, many do not. She is not averse to turning her deafness to advantage when opportunity arises. The grandmother admires her audacity. When alone the pair walk their locality as the seasons progress, seeking out untamed areas and sharing stories of time and place. Set in Ireland, these include many myths and legends – of flora, fauna, and the people they represent.

The child has a metal detector, the grandmother an art project she wishes to complete – ‘A Compendium of Native & Non-Native Trees of Ireland’, illustrations rather than a field guide. They collect their treasures on planned excursions. The child asks what sounds different trees make.

“All those years studying their structures, weights, and textures while missing their inherent languages. I do not know what the breeze brings through them or how their sounds differ”

The grandmother has known loss and is now eager to appreciate the unique abilities of her young charge, however much authorities may wish her to adapt herself to a prescribed ‘normality’. Medical professionals do not appear to understand that cochlear implants may provide improved hearing, but that the granddaughter would lose the world she now happily inhabits.

“Sometimes there is no one so deaf as a hearing person”

As the year progresses it is not just the child’s health care that unsettles. The grandmother receives a diagnosis that will be life changing for them both.

These bones of a story make for interesting and engaging reading but what raises the book to something special is the use of language, the evocation of the spirits inhabiting what some may regard as untidy spaces. There is both lyricism and the lightness of a dancer in the prose – what those who understand the discipline, as it interprets musical accompaniment, recognise as poise and strength to limn feeling and beauty. In music, the silences are as important as notes played.

Grandmother and granddaughter stand beneath tree canopies listening – to the leaves and branches, to the unseen root system that joins trees together. When felled, these roots remain to nourish new growth. It is a fitting comparison to the love and learning the elderly can offer a younger generation.

Although there is much beauty in the metaphors evoked, the author does not shy away from difficulties faced by the deaf community as they navigate a hearing world reluctant to pay attention. Neither does she avoid the subject of death – the lasting sense of loss, how those remaining must adapt to change.

In pulling these themes together amongst the imagery of trees, what seem human tragedies are granted perspective. The family story told is one of support and tenderness. The wider tale provides food for the soul that left this reader sated.

My copy of this book was provided gratis by the publisher, époque press.

Book Review: The High House

This review was written for and first published by Bookmunch.

“It is not enough to have an ark, if you do not also have the skills to sail it”

This is the third book by Jessie Greengrass that I have read. All have been enjoyed. Her writing just keeps getting better.

The High House is set in the near future. It explores the impact of climate change, particularly rising sea levels. More than that though, it revolves around a small cast of characters skilfully rendered. Few words are wasted on what they look like. What matters is how they feel and react to each other, and how events they must live through shape them.

The story is told from three points of view with chapters headed by their names: Sally, Caro, Pauly. The timeline is non-linear with much of the narrative filling in gaps. Structured in short sections, pace is pitched perfectly to maintain interest and momentum. There is an underlying tension in knowing what is to come.

Caro is raised in London by her father, an academic. When he marries Francesca, a scientist, they spend holidays at the High House. This is a large coastal property left to Francesca by an uncle. Visits cease after baby Pauly is born. Caro, now a teenager, helps care for the child. A respected expert in the field, Francesca is becoming more concerned about the impending climate disaster she can see coming – that the world appears wilfully blind to. She spends increasing amounts of time away from home.

Sally is raised in the village below the High House by her grandfather, Grandy. He has lived there all his life, watching it change from a farming and fishing community to a place filled with holiday homes. Grandy is employed as caretaker by the absent owners. When Francesca decides to make the High House an ultimate refuge for her family, he becomes involved.

Caro is not made party to Francesca’s plans. She feels abandoned, believing her stepmother has chosen work over her son. At the same time she enjoys the role she plays in Pauly’s upbringing. Francesca’s wider concerns bring tension to the home that affects them all.

News reports tell of increasingly unpredictable weather events in other places – the refugees created when floods wreak havoc. Viewer shock is short lived when events feel distant, while they remain okay.

“drone footage of torn buildings and flooded streets which showed the water lying still and calm and deep across places people had thought they owned.”

Sally is unimpressed by Francesca, resenting the attention Grandy pays her as she talks of what is to come. Grandy understands the power of the weather having experienced the lasting impact on his and neighbouring villages of the last great flood.

“-This isn’t going to be like that,
Francesca said.
-There won’t be memorials in church halls. No one is going to make up songs. There will be nothing left.
-Nothing?
I asked, and I felt gleeful, as though I had found the point at last, and now could press it home.
-Or only nothing of yours? People have nothing already. People are dying already. How can a threat to you be an apocalypse when the rest of the world is drowning and it’s only a fucking preamble?”

In London, residents and visitors enjoy the lengthening seasons of warmth and sunshine. Caro takes Pauly to their local park to play, aware of changes to plants and wildlife but not paying attention. There are day to day concerns to deal with whatever is happening beyond.

“We had the habit of luck and power, and couldn’t understand that they were not our right. We saw that things were bad, elsewhere, but surely something would turn up, because didn’t it always for us?”

From the first few pages the reader knows who ends up at the High House and that Francesca’s efforts enable their survival. The story is of what happened and how they got there. The writing is incisive but also empathetic. The denouement is quietly devastating.

There are elements of domestic drama – jealousies, irritation, resentment, love – that draw the reader in, yet what this story offers is so much more. It is painfully easy to see the reflections of our current situation. When resources grow scarce, what is anyone willing to share and with whom?

Any Cop?: A tale so well crafted it may be enjoyed despite the warnings therein. Book reviewers are sometimes mocked for employing certain overused phrases. In this case I have no qualms in saying, The High House is a must read.

Jackie Law

Book Review: Hidden Valley Road

Hidden Valley Road, by Robert Kolker, tells the true story of the Galvin family and their lives growing up in post war America. It was written in collaboration with all living family members, along with many of their friends, relatives, and the medical professionals who tried to help them. Of the twelve Galvin children, six were diagnosed with schizophrenia. The family became an important case study in the genetics of mental health.

The author is a journalist who agreed to tell this story if it could be fully fact checked. He makes clear his sources and looks at key incidents from various perspectives. The style and structure adopted enables the reader to observe each Galvin as an individual with personal feelings and grievances. Their problems are real and often horrifying but the details are never sensationalised.

There are discussions around nature vs nurture, and of the wisdom of having so many children. Each of the Galvins had to cope with trauma that, from the outside, appears unimaginably harrowing. That they wanted to share their experiences, and also contribute to medical research, demonstrates their wish to help others avoid the pain they suffered – and still struggle with.

Alongside the family story are chapters on the treatment of mental health issues, particularly schizophrenia, throughout and beyond the twentieth century. These are written to be accessible and provide a picture of changing attitudes and the focus of research. What comes through is the way medical experts in the field of neuroscience can be quick to blame parents for their children’s afflictions – be it in how they were raised or the problems passed on in genes.

Don Galvin and Mimi Blayney first met at a swim competition as they were entering their teenage years. He was handsome, serious minded and personable. She came from troubled wealth, appreciating high artistic endeavours and harbouring a need to impress. They married when Don was called up to fight in the Second World War, by which time Mimi was already pregnant.

The couple went on to have their twelve children over the course of twenty years – ten boys followed by two girls. Don’s work often took him away from home. He regularly mixed with the rich and famous. Mimi was left to care for the house and children, tasks she undertook with fierce determination. It mattered to her how the family were regarded – moreso than how they behaved privately. Home never felt a safe space for any of the young offspring.

The synopsis ensured that I opened the book ready to sympathise with the parents. This was almost immediately brought into question. Don and Mimi captured and trained wild birds of prey. Their methods suggested they had little empathy with the suffering of living creatures, focusing more on what Don and Mimi would gain. Likewise, their children were allowed to fight viciously and bully each other with impunity. So long as they did their chores, publicly achieved, and turned up for mass on a Sunday in their smart clothes, Mimi felt she was mothering well. Don encouraged her to leave the children to sort out grievances between themselves. This resulted in numerous injuries – many serious – and a culture of fear that manifested in hatred, and a determination to get away.

When, as young men, the sons started to fall ill, Mimi undertook what care she could offer when they were not hospitalised. She focused on her sick boys, resulting in her well children feeling overlooked. Any complaints were met with an impatient reminder that the others had it worse.

The two girls contribute many details that shine a light on the horror of their existence – including abuse. All of the children appeared to idolise Don while blaming Mimi for not doing enough for them as individuals. They question why she chose to have so many children. In an interview, near the end of her life, Mimi states that she considered herself a good mother – not a view apparently shared by those on the receiving end of her mothering. When their mental illnesses could no longer be kept hidden, Mimi stated that she felt embarrassed by her children.

Details provided of the young Galvins’ habits suggest there was a great deal of drug taking. In amongst the many details of medical research and treatments, the potential impact of this is not mentioned, and would have been of interest.

An aside I found saddening, if not surprising, was the focus of pharmaceutical companies on making money over finding a cure. Several paths of promising research were abandoned when it became clear they could not be quickly monetised.

The Galvins were not wealthy but seem to have managed financially. The benefits system in America is portrayed as more generous than was my understanding. There are brief mentions of wider family and I pondered if any practical help came from them. Mostly it is wealthy friends who are cited as benefactors, although the children still had issues with the fine opportunities this offered them. They wanted their parents to behave differently – to focus more on them.

And it is this honesty – the desire even grown children retain for parental attention and appreciation – that is a strength of the story. Each of the children needed their needs to be noticed.

The horrors inflicted run alongside details of sporting and artistic achievements that were supported by the Galvins as a family, even when siblings expressed little interest. What is most remembered looking back, though, is the impact of living with schizophrenics. Whether the illness to come caused the early and ongoing violence is not delved into in detail.

A cure for schizophrenia has yet to be found, and the next generation of Galvins has not survived unscathed. The denouement gives cause for hope if not full closure of the issues investigated.

This is a fascinating if disturbing account of large family dynamics and the impact on all of mental illness. The resentments of the well siblings as the family aged resonated.

“From her family, Lindsay could see how we all have an amazing ability to shape our own reality, regardless of the facts. We can live our entire lives in a bubble and be quite comfortable. And there can be other realities that we refuse to acknowledge, but are every bit as real as our own. She was not thinking of her sick brothers now, but of everyone – all of them, including her mother, including herself.”

An illuminating story that disturbs as much as it engages and informs the reader. A window into living with and alongside compromised mental health – the cost to all involved, not just the patient.

My copy of this book was provided gratis by the publisher, Quercus.

Book Review: Real Life

“life was a big soup in a mixer where you had to try and avoid being shredded by the blades”

Real Life, by Adeline Dieudonné (translated by Roland Glasser), is – understandably – a multi-award winning novel that is now being brought to readers of English by the excellent World Editions. It is a coming of age tale but with a voice that raises it above bland attempts to pigeonhole. The richness of the taut prose and devilishly dark humour make it a standout addition to the genre. The story is of a girl growing up but that is merely its frame.

The narrator is ten years old when the tale she is recounting begins. She takes delight in her younger brother, six year old Sam. They are a close and companionable unit because their parents cannot be trusted. Father is a brutal bully who only seems to find joy in hunting and killing animals. Mother is described as an amoeba and lives in fear of the beatings she takes.

The narrator’s life is forever changed when she and Sam witness an horrific accident. Thereafter, Sam loses his sunny smile and willingness to play happily with his sister. Determined to recover what has been lost, the narrator decides she will build a time machine – as she has seen done in a film. She will travel back to the fateful moment and change its outcome.

Over the next couple of years she strives to accumulate the knowledge and materials needed. Sam, meanwhile, is developing worrying habits and bonds with his father. Distressing as his behaviour is, the narrator makes no attempt to intervene. She is convinced that their present is temporary.

When the knock back happens the girl must find a way to continue. She proves resourceful but, for now, must still live in the fearful familial shadow of violent disdain. Puberty brings with it added danger although also warmer feelings that, with her scientific reasoning, she is drawn to explore further. The denouement is tense but handled impressively.

In fact, the entire character and plot development are impressive. The girl’s situation may be disturbingly bleak but her outlook remains focused and forward thinking. Woven within are nuggets of comparative lives that are mined with understated skill, adding both a degree of light and breadth. Much is revealed without the need to explain.

An original read that I devoured and relished. The brutality the girl must live with is unsettling but this remains a recommended read.

My copy of this book was provided gratis by the publisher, World Editions.

Book Review: The Carer

The Carer, by Deborah Moggach, is a bittersweet story of two sexagenarian siblings. It presents their personal travails as they navigate the murky waters of remaining independent whilst dealing with a frail elderly parent. Their eighty-five year old father, James, is a retired Professor of Particle Physics. He was married for sixty-four years to the equally intelligent but now dead Anna. Since breaking his hip, James cannot manage the stairs in his cottage so sleeps alone on a single bed at street level. His children, Robert and Phoebe, wish to continue with their own lives unencumbered by their father’s practical needs. They therefore hire a live-in carer to enable him to stay in his own home several hours drive from where they live.

Finding a carer willing to move to a sleepy Cotswold village and give James the attention he requires proves a challenge. After a couple of false starts they find Mandy, an overweight and garrulous fifty-two year old who arrives with impeccable references. The recently morose James is transformed under her care. Gone are the stimulating conversations and intellectual musings. In their place is an interest in village gossip, scratch cards, daytime TV and visits to shopping centres.

Robert and Phoebe retreat feeling both relieved and guilty. Robert is writing a novel in his garden shed in London, avoiding his beautiful and successful wife who goads him about his failures. Phoebe, an artist living in a small Welsh town where every second person harbours artistic tendencies, is indulging in an affair with a local woodsman. Both siblings feel frustrated at the direction their lives have taken, blaming parents they remember from childhood as neglectful.

Mandy berates Robert and Phoebe for still harbouring grudges against their parents. She has little time for such self-pity when they are farming out their father’s care. As her employers, the siblings do not appreciate being spoken to so plainly. Privately they worry that what Mandy is saying may be true.

Story chapters are told from key characters’ points of view. The reader learns the bare bones of the siblings’ backstories, their thwarted desires and concerns. As Robert and Phoebe go through their days, James and Mandy appear to be getting on well. There is, however, a growing suspicion that the affable carer is not trustworthy. Phoebe and Robert prevaricate over whether they are being paranoid or if they should be concerned. And yet, do the family want to lose a carer doing a job they are unwilling to take on themselves?

There is a gentle humour in the writing as key events unfold and threads are spun together. The author captures the pathos of aging, both the elderly James and his no longer young children. It is a nicely structured depiction of some of the challenges and risks inherent when bringing a stranger into intimate contact with a loved one. There are gently mocking observations to lighten any darkness in the tale.

The final third of the book adds an unexpected dimension. It offers an interesting exploration of familial secrets and their impact on relationships.

I found the pace somewhat slow in places but then this is not to be the sort of book I normally read. The topic is timely given our aging population. A complex issue wrapped within a wider, droll tale – easy but not empty entertainment.

My copy of this book was provided gratis by the publisher, Tinder Press

Book Review: Haverscroft

Haverscroft, by S.A. Harris, is a deliciously creepy ghost story. It opens with the Keeling family – Kate, Mark and nine year old twins, Sophie and Tom – moving into a big, old house on the edge of a small town in Suffolk. Having renovated their London home the couple are aware of the work ahead of them. Their relocation has mostly been driven by Mark with Kate agreeing for the sake of their faltering marriage. She has been ill for many months but is now determined to stop taking her medication and return to her former, capable self.

The old house creaks and groans but there are other noises that cannot be explained. The children are scared so Kate must try to be rational despite her own fears. During the working week Mark still resides in the city. With no internet and patchy mobile reception the couple struggle to communicate. Kate is concerned that if she tells her husband of the malevolent presence she sometimes feels he will believe she is relapsing and stop listening to anything she says.

The Keelings have kept on the former owner’s cleaner and gardener, with the cleaner soon becoming a friend. Through her Kate learns more about the history of the place and those who have lived there. The Havers family harboured dark secrets yet few in the gossipy town seem willing to share the detail with Kate. She starts to research on her own. Each new discovery increases the tension with Mark.

The story is told from Kate’s perspective, her shaky mental state leaving the reader unsure of the veracity of the narration. The unfolding tale puts many under suspicion. The denouement offers potential explanations without taking from the chilling portrayal.

The writing is taut and fluid. Both the atmosphere of the old house and the wider family dynamics are evoked with skill. Whatever one thinks of a place harbouring the spirit of past deeds this story could throw shade over certainties. Recommended, but exercise caution if reading after dark.

My copy of this book was provided gratis by the publisher, Salt.

Book Review: A Perfect Mother

A Perfect Mother, by Katri Skala, explores the scars inflicted by family across generations. It opens in Trieste where a middle aged journalist, Jacob Bedford, has arrived to research an article he has been commissioned to write, about the city for a magazine. While there he plans to dig deeper into his family history. Jacob’s great-grandfather sent his last known communication from Trieste in 1938. Unlike other members of the Jewish family, his name is not on lists of holocaust victims.

Jacob is separated from his wife and doing his best to retain regular contact with his beloved teenage sons. He is familiar with the attention he garners from women and has indulged in many infidelities over the years. He recognises that his allure is fading as he ages. Desiring company he is pleased when Jane Worth, in Trieste with her book group to enjoy the Lucia Joyce connection, offers to buy him a drink. Jacob hopes for sex. What he receives is a story she offloads about an old friend, Charlotte, who is also in the city.

Charlotte has a difficult history involving her child, a mental breakdown and a wealthy, neglectful husband. She married to escape her mother who subsequently killed herself. Jane is a psychotherapist and met Charlotte professionally before becoming personally involved in her difficulties.

Jacob, Charlotte and Jane are drawn to each other, their lives intersecting in ways they did not predict. Back in England they keep in touch, coming together at Jane’s house in Gloucester where Charlotte offloads more painful memories. Jacob is frustrated by the role they have assigned him but is now caught in their web.

The writing ebbs and flows as family histories and their lasting impacts are revealed. Charlotte may be damaged but Jacob craves her attention. Jane’s concern for her friend may not be as selfless as it seems.

This is a complex tale of love and loyalties, of mental illness, the impact of loss and the fragility of trust. The protagonists each seek an identity, to perform their desired roles as good people. Hovering within their friendship is the question of how much of another’s thoughts, desires and motivations can ever be truly known or understood.

The unusual tense of the writing adds to the stark intensity of the portrayal. This is a literary thriller that does not baulk at challenging threads. Jacob’s multi layered thoughts on the unfolding situation are presented with relatable honesty. As a parent there is much to ponder, much of which is somewhat perturbing.

A dark tale with depth that draws the reader in. An impressive debut.

My copy of this book was provided gratis by the publisher, Hikari Press.

Book Review: Prodigal

Prodigal, by Charles Lambert, tells the story of the Eldritch family, the secrets and resentments that led to the adult children’s estrangement. It opens when Jeremy, the younger of the siblings, is in his fifties. He is living in a tiny apartment in Paris, making a meagre living writing erotic fiction under a pseudonym. He receives a call from his sister, Rachel, telling him that their father is dying. Somewhat reluctantly he returns to the family home in Kent.

Jeremy has been living in Paris since soon after his graduation, a move arranged by his mother for reasons to be revealed. Rachel stayed with their father, although soon married Denny and set up a stables business assisted by the family wealth. Denny left her a decade ago in the company of an employee. Rachel has been nursing her father through his final bout of ill health, yet another task she feels her brother should be showing greater appreciation of. Now that he has returned she wishes him to assist, yet grows jealous when anyone suggests that his actions are in any way generous.

The family history is presented in four parts. These cover: Jeremy’s return (2012); the period around their mother’s final days in Greece (1985); the weeks leading up to Jeremy’s departure (1977); their father’s death (2012). The reader learns that neither parent behaved with grace. Each also had their obvious favourites in their offspring. The atmosphere in the family home was toxic with violent undercurrents.

Rachel regards Jeremy as wilfully degenerate due to his preference for men and his occupation. She is bitter and angry that her family have not conformed to her desired way of living. Jeremy has largely avoided thinking about his family since he was encouraged to move away. He has had to cope with the tragedy of lost lovers and the knowledge that his writing is regarded by many with derision. The few times he and Rachel have got together over the years highlighted their differences and ended in acrimony.

The author is a skilled wordsmith, fully engaging the reader whilst revealing the family’s history from each of the key players points of view. There is empathy but also recognition that these are flawed individuals, that ripples are created when indulging in prodigal behaviour. Family members have the ability to hurt each other so much more deeply than other acquaintances.

A tale that will resonate with any whose family does not conform to their personal ideal. An alluring and satisfying read.

My copy of this book was provided gratis by the publisher, Gallic Books.

Click on the image above to look inside Prodigal