This review was written for and first published by Bookmunch.
The Goddess Chronicle is based on the Japanese myth of Izanami and Izanagi, gods credited with the creation of the Japanese Islands and many of their elemental gods. It is a tale of love turned to hatred, of death and revenge. Much of it is set in an underworld where the spirits of those who died with regrets drift unhappily for eternity. They end up in this place as they were unable to make peace with their fate while living.
The book is divided into five sections; all but one narrated by a young woman named Namima who died young. The opening section tells her story, how she was born and raised on an island far to the south and east. For generations cruel customs had been accepted there, believed necessary to keep the majority of islanders from starvation.
Namima is the youngest of four siblings, closest in age to her adored sister, Kamikuu. Their family is privileged as it is they who must produce the island’s Oracle. On Kamikuu’s sixth birthday she is taken to live with her grandmother to begin training for this revered role. Namima learns that she is ‘the impure one’, but what this means is not explained until she turns sixteen.
The section opens with a great deal of exposition, describing the small island and the lives lived therein. Much of the culture appears shocking, such as occasional culling of the elderly and killing of babies not born within rules. The plot progresses slowly but nevertheless retains interest after the lengthy descriptions of setting. The islanders live daily with the unease of repercussions if caught in transgressions, something Namima risks when she falls in love with an outcast, Mahito.
“I had never encountered anyone with such strength. The rest of us lived such timid lives, fettered by laws, fearful of breaking them.”
When Namima learns what her role on the island is to be she rails against it. Mahito sets out to save her but with motives she only learns of after her death.
The second section is set in the Realm of the Dead. Here Namimo meets Izanami who she is to serve. A lengthy few chapters tell the creation story, how the many gods came to be. The detail provided did not seem entirely necessary for the telling of this tale.
Despite being a god, Izanami died. She feels betrayed by her beloved Izanagi and now kills any woman he marries. Namima empathises with these feelings of jealousy, desperate to know what became of Mahito yet struggling to accept that he will have moved on with his life.
The third section opens in the underworld where, each day, Izanami chooses one thousand humans who are to die. She remains bitter over what happened to her and how Izanagi remains in the land of the living, still siring offspring.
“She continued with her task, silently and listlessly. Determining who would die was, in truth, a chore that left an unpleasant aftertaste.”
Namima now learns there is a way she could briefly visit the land of the living. Izanami advises against such a course of action. Ignoring this, Namima sets out to try to return to the island, albeit in a different form. Through this quest, Namima changes the direction of others’ lives.
The fourth section explores what became of Izanagi since Izanami died. Many centuries have passed and the god is growing tired of his immortality. Having travelled, as is his wont, he is returning to visit his latest wife who is due to give birth. Unashi, his loyal servant, has misgivings about this plan being more aware than his master about what befalls the women he marries. When Izanagi presses Unashi to share this knowledge, the pair concoct a plan to try to break the cycle.
Although this section pulls together the threads of the story, it does so by imbuing further characters with a death wish. When choices in life appear limited, suicide is accepted. Throughout the story, life is given little value until lost, and then it is only selfishly desired.
The final section returns to the underworld where there is a showdown between Izanagi and Izanami. Love turning to hatred due to jealousy has also gripped Namima.
“I suddenly made a terrible discovery. Spurred by my hatred of Mahito, I found myself longing for someone to die. Wasn’t this the feeling that had gripped Izanami when she was first locked up in the Realm of the Dead? Hatred is terrifying.”
The denouement offers a certain dark satisfaction. This carries with it a disturbing undercurrent as to why.
Previous releases in ‘The Canons’ series have been tightly woven, imaginative retellings. By comparison this was ponderous with much detail beyond what was needed for clarity. Although containing interesting elements, the length seemed unnecessary.
Any Cop?: An embittered tale of selfish desire that cast on this reader a perturbing shadow.