‘Nophek Gloss’ is a brilliantly creative science-fiction book packed with futuristic technology, incredible theories about multiple universes, and fascinating alien races. However, it’s also an example of how an unlikeable protagonist can let an otherwise fantastic book down. I imagine fans of plot-driven complex science fiction will adore this, but fans of more character-centred books like me may struggle with certain aspects.
Caiden’s life is simple. Aged ten, his aptitude test deemed him to be the perfect mechanic, so ever since he’s worked with his dad to fix things. He’s tired of his dad refusing to answer questions or telling him he’s too young, but that’s OK – he’s fourteen, almost an adult, and he’s sure he’ll get the answers soon. Instead, his entire planet is destroyed by their overseers, Caiden only escaping by finding a mysterious ship – and with the aid of a mysterious crew of Passagers. Wracked by guilt and anger, Caiden dreams only of revenge – but the multiverse is a large and complicated place, and if Caiden is to survive it he’ll have to take drastic measures.
Caiden is a fourteen year old boy who goes through a hugely traumatic event. In a single day he witnesses unimaginable horrors and finds out that his entire life is a carefully constructed lie. Understandably, this takes a huge toll. Caiden suffers recurrent nightmares and bursts of uncontrollable anger. He makes rash decisions and lets his emotions take over. None of these things are his fault, and the’re common results of severe trauma – but they do make him a very difficult single POV character. His head is an unpleasant place to be, and – coupled with actions which are reckless at best – it makes him difficult to engage with. He also instantly seems to win over several of his new companions – part of this is explained later, but it felt far too unrealistic for a damaged and unpleasant child to so quickly make such close friends, even if they understood his trauma. He does improve a bit as the book goes on, but he’s never as compelling as I want him to be.
It’s a shame that Caiden is such a difficult character because everyone else on the ship is fascinating. They’re a variety of species, all with complicated – and equally horrible – pasts, and seeing into their heads and perspectives would provide an excellent counterpoint. I especially like the ship’s cook and medic – they’re initially very cold to Caiden, but they have an amazing animal companion and a heart of gold, and by the end it’s clear they’re secretly a massive softie. The ship itself is also, to an extent, alive – a popular science fiction trope that isn’t utilised that much here but has clear potential for the sequels.
The worldbuilding is the strongest part. Hansen paints a picture of an exceptionally complex world with layered politics, incredible xenobiology, fascinating future technology, and above all a feeling of complete uniqueness. There are familiar elements and tropes, but the overall creation is entirely unique. It’s a world that would be fascinating on the big screen, and spending time in it – even if that time involves dealing with Caiden – is a joy. The story is wide in scope, with a great deal of travelling between places, but each new place – be that a spaceship, a space station, a city, or an entire new planet – is developed with impeccable attention to detail. It’s a true triumph and a testament to Hansen’s strength as a creator.
Revenge plots are a stalwart of science fiction, but again Hansen spices it up and throws in some surprises. Some of the twists are predictable, but there’s enough there to keep it engaging and fast-paced. There are also no unnecessary distractions – no romantic sub-plots or other diversions – which I really appreciate. Caiden is a traumatised teenager out to avenge the death of his entire world – this isn’t the time for romance. The plot is dark at times – this isn’t a book to go into for those with any triggers surrounding death, including animal death – but the ending is hopeful, and there’s an undercurrent throughout that things will get better.
Overall, this is a book that some will adore for its beautifully complex worldbuilding and fast-paced, brutal plot, but others will struggle with because of the unlikeable protagonist and elements of implausibility. Unfortunately, I fall into the latter camp, but I can still appreciate Hansen’s strength as a writer. I don’t know whether or not I’ll seek out the sequel, but I’ll certainly be following Hansen’s career with interest. Recommended to fans of harder science fiction and intricate worldbuilding.
Published by Orbit
Paperback: 17th November 2020