‘The Jasmine Throne’ is epic fantasy at its best, with complex world-building, an intriguing magic system, excellent characters, and an intricate, winding plot. The story flows beautifully, with a constant undercurrent of tension. Every part is morally ambiguous, and it’s never clear if anyone is doing the right thing. For those with a void in their heart after the conclusion of epics like The Poppy War and the Daevabad trilogy, this is the book for you.
Priya is a maidservant, spending her days working for the Ahiranya Regent’s wife, and her evenings seeking out sacred wood for the city’s plague-stricken orphans. However, she wasn’t always a maidservant – once she was a child of Hirana, the famed magic temple which burnt in a tragedy several years before, killing everyone else inside. When Princess Malini, the Emperor’s sister, is banished to the abandoned Hirana, Priya volunteers to make the treacherous journey to look after her. Her memories of Hirana are patchy, and she sees a way of reconnecting with her past. However, when an unexpected threat leads to her revealing her secret magic to the princess, the two find themselves thrust together. Malini is determined to escape her imprisonment and overthrow her brother’s empire. Priya wants to uncover the Hirana’s secrets – and maybe save Arihadya from its plague in the process. Together, they can change the fate of the empire – for better or worse.
There are many perspectives across the course of the novel, but the major ones are Priya, Malini, Rao, Ashok, and Bhumika. Of these, Priya, Malini, and Bhumika are my favourites. Each is very different. Priya, as a maidservant, is outwardly calm, obedient, and kind-hearted – but deep down, she remembers the power of Hirana and longs for it fiercely. She’s an adept fighter with anger she works hard to keep under control. Her intentions are good, and she wants to help others – but she has a selfish side too. Malini, as a Princess, is also supposed to be calm and obedient – but instead she’s always been fierce and crafty. At first, she appears defeated – but Malini is a schemer and master manipulator, very able to play any role to achieve her desired ends. If she has to, she’s perfectly at home with playing the villain. Malini has seen great hurt in her life, and her morals are greyer than most – but she has a softer side than many would believe. Bhumika, the regent’s wife, is seen by many as a traitor to her people – she married one of their conquerors, and now carries their child. However, like Malini, Bhumika is a politician – and she understands the power of her own body as a weapon. Bhumika is quite content to be underestimated and sneered at, as long as it helps keep her people safe. Bhumika is the sort of character less often seen in fantasy, but one who radiates a different kind of strength.
The world-building is absolutely exceptional. Inspired by Indian history, ‘The Jasmine Throne’ is set in the conquered state of Ahiranya, a place ruled by a distant empire – but left impoverished and restless. Underground rebel movements abound, and the state is being ravished by a deadly plague known as the rot. The ruling race see themselves as superior to the native Ahiranyans, and the way this affects every interaction is subtly yet powerfully done. The setting – a fading city on the outskirts of a mystical, almost magical forest – is eerie yet beautiful. The city has survived on its forestry and its pleasure houses, becoming a place the ruling class come to relax under freer laws – leading to a reputation as a place of debauchery inhabited by whores and drunkards. The way this affects attitudes towards the Ahiranyans is appalling but powerful to read about. The exploration of colonialism and empire is subtler than in some fantasy novels, but incredibly impactful.
Suri also excels in writing relationships. The relationship between Priya and Malini is complicated, evolving throughout the book, but every aspect is beautifully written. Priya has friends amongst the maidservants, but none who truly understand her. Similarly, Malini has cultivated allies – but her manipulative nature doesn’t lend itself well to true friends. Neither can fully trust the other, but both feels the attraction of having someone they can open up to after so long bearing secrets alone. In a society which frowns upon relationships between women – Ahiranya permitted it, but the new empire does not – the dynamic becomes even more fraught. It feels inevitable that everything will end badly – but Suri makes it impossible not to root for them anyway.
There’s a clear undercurrent exploring the shades of morality, and what atrocities it’s acceptable to commit in the pursuit of an ultimate good. Unlike many epic fantasies, there’s no real war in The Jasmine Throne – instead there are lots of smaller skirmishes, with each character believing their actions are justified by their end goal. Each character makes sacrifices. These elements are extremely thought provoking, lingering long past the final page. Its never clear if the protagonists are truly on the right side. The ambiguity is one of my favourite parts, and I’m both excited and terrified to see it further diverge in later books.
Overall, ‘The Jasmine Throne’ is an excellent epic fantasy and one of my favourite reads so far this year. Fans of creative world-building, complex epic fantasy, moral ambiguity, and multi-faceted characters should find plenty to love here. Highly recommended.
Thanks to Orbit for providing an ARC – this in no way affects the content of this review
Published by Orbit
Hardback: 10th June 2021