Book Review: Karate Chop

Karate Chop, by Dorthe Nors (translated by Martin Aitken), is a collection of fifteen stories exploring ordinary people and situations they encounter, with incisive wit and perception. The Danish author has been shortlisted for the Man Booker International Prize. This is a rebound edition of a selection of their shorter works.

The snapshots of life offered up are varied, as are the protagonists. All are recognisable and relateable. There is a cogency, a poignancy to the prose. An undercurrent of isolation and the frailty of human interactions pervades.

The Buddhist tells of a man whose job requires him to write speeches for a government minister. When his wife leaves him he decides that he will turn to Buddhism, thereby gaining insight from the pain. He no longer wishes to spread lies so writes an article for a national newspaper exposing the deceits in which he has been complicit. He harbours delusions of grandeur believing his actions, inspired by Buddhist teachings, could change the world. As time passes he becomes increasingly selective in following his ideals. The circle turns.

The Winter Garden is narrated by a young boy caught between divorcing parents. Wanting to please, he lives first with his mother then his father, feeling distanced when they introduce new partners who have their own children. The special regard he felt for each parent is stripped away when he realises he is not uniquely valued. Opinions, once sought, lose their impact.

The Big Tomato offers a story of hope amongst displaced people. This is a gentle tale of burgeoning friendships and appreciation of kindnesses shared.

Duckling is narrated by a young girl facing the hypocrisy of her caring but opinionated father.

“Dad had his boxes and he put things away in them, even things that contradicted each other.”

The smooth surface of family life relies on much being left unsaid.

Female Killers shares the private thoughts of a husband when alone late at night, his wife in bed. The reader may decide if, as no action results, his musings are harmless or grotesque.

Flight is a tale of loss told by a wife whose husband has left her. In trying to deny the hurt she feels, an emptiness is created. Moving on from a situation when change was not desired proves challenging.

The Heron is set in a park and offers glimpses of those passing through. Of note are approaching mothers pushing their baby carriages with intent.

“They always come in flocks, great flocks of mothers, and they stir up bad feelings in one another.”

The storyteller suspects that the stony mothers regard him as they would a sickly heron he has observed – tired and sallow, often in the way. He thinks of showing kindness to their babies but recognises the impossibility of such behaviour given the mothers’ demeanour.

She Frequented Cemeteries tells of a love story that is insular, perhaps unrequited. The protagonist is nevertheless contented but has no wish to share her new formed feelings with friends. She suspects they may demand that she regard her valued happiness differently. As in so many areas, the unusual is treated with suspicion.

These stories are concise, just a few pages each in length. They offer circumstances and concepts that the reader may then interpret. There is much to ponder in the difficulties being faced. An empathetic, rewarding little read.

My copy of this book was provided gratis by the publisher, Pushkin Press.

Book Review: School of Velocity

School of Velocity, by Eric Beck Rubin, is a story of music, love, and the abiding impact of close childhood friends. Told in the first person by fictional pianist Jan de Vries, it opens at a concert where he is struggling to hear the music he needs to play above the cacophony that pounds inside his head. Back in his apartment he packs a bag, not intending to return.

The reader is taken back to when Jan starts at his first arts school near his parents’ home in the Netherlands. Here he meets Dirk who proceeds to woo Jan’s girlfriend. Dirk is wild and dangerous, in thought and deed. The quiet and diligent young musician is lured inside the outrageous and confident boy’s web, and finds himself smitten.

Jan and Dirk become best friends, meeting after school and spending weekends together. As the school years pass they experiment with the pastimes many teenage boys brag of – alcohol, porn, drugs and sex. When they graduate they believe that glittering futures beckon. Although they will now continue their training in different countries, Jan is confident their closeness will endure.

Jan fills the gap created by Dirk’s absence with music, determined to fulfil his potential. Abroad Dirk becomes something of an enigma. When they meet again the balance of power has shifted, although Jan is unaware to what extent.

The writing is finely tuned and lyrical, presenting life with all its self-absorption and contradictions. Jan regards Dirk only in relation to himself, never considering the impact others have had along the way.

Jan’s development as a pianist is beautifully portrayed offering appreciation of the emotional depths music can provide for both player and listener. This depth is also present in the subtlety and insights of the prose. The story is captivating, affecting, a pleasure to read.

My copy of this book was provided gratis by the publisher, Pushkin Press.