Book Review: Resistance

From the Republic of Consciousness Prize for Small Presses 2019 longlist – Resistance by Julián Fuks (translated by Daniel Hahn).

Resistance is a fairly short novel but one that should on no account be rushed. The language and turns of phrases reward those who savour. It is a story about a family and how each are differently affected by the same experiences, both shared and inherited. The insights offered are meticulous, sympathetic and deserving of attention.

The narrator of the tale is the youngest of three siblings whose parents fled Argentina in the 1970s and settled in Brazil. The couple brought with them their infant son who they had adopted after failing to conceive. They knew little of their new-born’s background – how he came to be offered to them. They were assured it would be better this way.

Their younger two children were born after the forced migration. The children always knew their brother was adopted although it was rarely referred to. The narrator is exploring if, within his family, this difference in birth – parentage and country – had a detrimental effect.

“I’m writing […] a book about that child, my brother, about the pains and experiences of childhood, but also about persecution and resistance, about terror, torture and disappearances.”

Each chapter is short offering a vignette on childhood, a retelling of family mythology, and the narrator’s questioning of the truth behind his memories. He recognises the difficulty of expressing feelings that continue to reverberate across years during which the events will have been retold on a variety of occasions.

“They’re all disposable fictions, nothing but distortions.”

Photograph albums are viewed and an apartment in Argentina visited as the narrator attempts to reconstruct the anecdotes his parents shared.

He recalls missteps, embarrassing incidents when he said or did something he immediately regretted. Childhood experiences leave imprints that grow imprecise in recollection.

There is a careful hesitancy, a striving for authenticity, yet the prose is piercing in its power to convey with clarity the difficulties of being a child in a close knit family whose history involved conflict and deracination.

An Argentinian colleague who was disappeared by the regime is remembered by the narrator’s mother, her story thereby impacting the next generation.

“I never knew Martha Brea, her absence does not live inside me. But her absence lived in our house.”

These family stories are an aspect of a childhood that was itself loving and stable. Also remembered are later difficulties dealing with the elder brother, although these are viewed differently by their parents and perhaps by the subject himself.

“I have tried to construct the ediface of this story, on deeply buried foundations that are highly unstable.”

The narrator is drawing on the experiences of parents and other forebears in an attempt to explore how an adopted child may be impacted when raised alongside unadopted siblings.

“An attempt to forge the meanings life refuses to give us”

The narrator writes of how his brother is regarded by their family and also by the boy’s friends. He acknowledges that the family view can only be his interpretation, and is perhaps not shared by his siblings or their parents.

“Our children always transcend how we think of them.”

After spending two years pulling together his various stories and analysing his thoughts on them he concludes:

“writing about the family and reflecting so much on it isn’t the same as experiencing it, sharing its routine, inhabiting its present.”

The narrator can only view his brother through a personal lens.

As a reader it is not so much the unfolding history, interesting though it is, that affected; rather, it is the carefully considered depiction of family and their interpretations of shared memories that reverberates.

The prose is breathtaking in its power and beauty, carefully crafted and always engaging. This was a joy to read.

My copy of this book was provided gratis by the publisher, Charco Press.

Spotlight on independent publisher, Charco Press

As part of my coverage of this year’s Republic of Consciousness Prize for Small presses I invited a number of the publishers whose books made it onto the longlist to contribute a guest post. I also offered to review the books should they wish to send me a copy. Throughout February I will be posting these reviews and the articles or Q&As received from the presses that responded. These offer a window into the variety of output and current state of play of the innovative publishers whose books I am always eager to read.

Charco Press contributed a fascinating guest post about the origins and aims of their publishing house last year after one of their inaugural titles, Die, My Love by Ariana Harwicz, was longlisted for the RofC prize. This title went on to make the 2018 shortlist and was also longlisted for that year’s Man Booker International Prize.

You may read the guest post here.

I did not ask them to contribute again but was grateful to receive a copy of this year’s longlisted book, Resistance by Julián Fuks (translated by Daniel Hahn), which I will review tomorrow.

In looking at what has been happening at the press in the past year there was a wealth of exciting news and achievements (summarised on their website). Charco are reaching impressive heights in the literary world and deserve further, wider attention.

A conversation between Ellen Jones and Charco’s Carolina Orloff and Samuel McDowell, published in Hotel magazine, was of particular interest – you may read it here. Amongst other topics they talk of: the exciting publishing scene in Scotland; their vision for the visual presentation of their beautiful books; the value of bringing established and respected authors who have won awards internationally to English speaking readers.

Resistance has already won the Jabuti Award for Book of the Year (2016), the Oceanos Prize (2016), the José Saramago Literary Prize (2017) and the Anna Seghers Prize (2018). Julián Fuks has gained recognition as one of Brazil’s most outstanding young writers.

Charco’s aims are best summarised in their own words from their website.

“Charco Press was born from a desire to do something a little out of the ordinary. To bring you, the reader, books from a different part of the world. Outstanding books. Books you want to read. Maybe even books you need to read.

Charco Press is ambitious. We aim to change the current literary scene and make room for a kind of literature that has been overlooked. We want to be that bridge between a world of talented contemporary writers and yourself.

We select authors whose work feeds the imagination, challenges perspective and sparks debate. Authors that are shining lights in the world of contemporary literature. Authors that have won awards and received critical acclaim. Bestselling authors. Yet authors you perhaps have never heard of. Because none of them have been published in English.

Until now.”

Personally I would like to read every book put out by this fabulous publisher. I am grateful that the Republic of Consciousness Prize brought them to my attention.

 

You may follow Charco Press on Twitter: @CharcoPress