The Chimes, by Anna Smaill, is unlike any book I have read before. Using the language of music it tells the tale of a dystopian world where information is shared through snatches of melody and the written word is banned. Each day is modulated by collective music making, much of it overseen by a ruling Order. A life of repetition is required to keep people grounded and functioning as most personal memories are lost over the course of a few days.
The protagonist, Simon, makes his way to London following the deaths of his parents. With the help of items that he keeps in his memory bag he remembers snatches of his former life but struggles to make sense of the reason he has made the journey from family farm to city. He ekes out a rough existence as a member of a pact whose leader tries to probe for the few memories which Simon can recall. Such interest in the before goes against everything that society has been conditioned to accept. It is considered blasphony.
It took me some time to immerse myself in the story. However, once I had got used to the strange use of words and the references to items I would recognise, I was gripped. The language is not difficult but it is original.
It is interesting to consider the role that memory has in day to day life: its removal minimises grief; change is easier to accept when it quickly becomes all that is known; occupations are necessary as without them skills are forgotten and people are at risk of becoming memorylost, unhinged on the margins of a society which thrives on order.
The story of Simon’s emergence and his acceptance of the role that he is being asked to play follows a well worn path of dystopian fiction. However, the creative use of sound and music adds distinction.
The writing is crafted and orchestrated with a deft touch that holds the reader’s attention. I was eager to know how it was all going to end. I was not disappointed.
My copy of this book was provided gratis by the publisher, Sceptre.