Nicholas Royle collects books. He does not choose titles he wishes to read, although often he will read them. What he seeks is an aesthetic. He trawls second-hand bookshops, including charity shops, searching for suitable spines to place on his bookshelves. He could buy on-line but this doesn’t appeal. The potential for discovery when browsing eclectically curated displays in shops is a part of the pleasure he derives from his pursuit.
White Spines focuses on his Picador collection, from when the imprint was mostly consistent in cover design (1970s to 1990s). He also finds what he describes as anomalies, adding these to the back of the double stacked white shelves on which he places his finds. Although pleased when a book is in good condition, he values inscriptions and inclusions – ephemera placed by a previous owner between pages and then forgotten when the book is donated.
This is very much a book for lovers of books. Royle takes the reader on a journey around the country describing where and how he found particular titles. There is an element of memoir as he has been collecting these books for decades. His various jobs over this time have granted him access to those in the writing business – authors, publishers, agents – whose names and works will be familiar. Knowing of his obsession, some have gifted him white spine Picadors. Royle cites one incident when he solicited such books as payment, something the author involved may have subsequently regretted agreeing to.
When travelling, for whatever reason, visits to second-hand bookshops feature. Finds are described lovingly, cover artwork appreciated. There are occasional transcripts of overheard conversations, or of interviews conducted as additional research. A digression into the issues faced when another author shares your name was of interest. Short sections describe some of Royle’s dreams.
There is a degree of melancholy looking back at the time when Picador published these uniform editions, when there was more trust and freedom amongst those tasked with choosing authors and titles. Of course, it is only with hindsight that readers can see how certain of the writers and artists found lasting success. There were also those whose work was pulped without telling them.
This history certainly adds to the appeal of the book, but it is Royle’s knowledge and ability to write with enthusiasm that draws the reader in. An enjoyable window into the life of an unapologetic collector. A call to appreciate books for more than their words.
My copy of this book was provided gratis by the publisher, Salt.